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This writing class will be about how we can write about the major changes happening in Seattle. We have reached, as it were, a point where the sharp increases in our city’s buildings, human activity, and economic volume are significantly separating the city we have known from the city we are becoming. With the most recent boom in construction and inflows of capital, the third such boom in under fifteen years, we must see ourselves in a phase of transition. Let’s think and write about this transition. Let’s remember the old city and attempt to describe the one just around the corner.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through the end of 2020.
All times are listed in Pacific Time.
Class Type: 6 SessionsFiction, Nonfiction
Start Date: 10/26/2015
No Class On: November 23
End Date: 12/07/2015
Days of the Week: Monday
Time: 7:00 PM – 9:00 PM
Minimum Class Size: 5
Maximum Class Size: 15
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$245.00 General Price:
Class has begun, registration is closed.
Charles Tonderai Mudede is a Zimbabwean-born writer, filmmaker, and cultural critic. He writes about film, books, music, crime, art, economics, and urban theory for The Stranger. Mudede has made three films, two of which, Police Beat and Zoo, premiered at Sundance, and one, Zoo, was screened at Cannes. Mudede has written for the New York Times, Arcade Journal, Cinema Scope, Ars Electronica, The Village Voice, Radical Urban Theory, and C Theory. Mudede is also on the editorial board for the Black Scholar, which is based at the University of Washington, and between 1999 and 2005, lectured on post-colonial theory at Pacific Lutheran University, and in 2003 published a short book, Last Seen, with Diana George. Mudede has lived in Seattle since 1989.