Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
EMILY GIANGIULIO is a writer from Philadelphia currently working toward an MFA in prose at the University of Washington. Her short fiction has appeared or is forthcoming in publications such as Bennington Review and Hayden’s Ferry Review, and has recently been nominated for the 2023 PEN/Robert J. Dau Short Story Prize for Emerging Writers and the Pushcart Prize. When not writing, she frequents the tide pools along the Washington coast and tends to her growing family of plants. You can find her at https://emilygiangiulio.com.Â
Kaelie Giffel, Ph.D., is the author of the academic memoir, University for a Good Woman. She writes about feminism, literature, and travel. You can find her writing published and forthcoming in Public Books, Full Stop, Oh Reader, SOLO Travel, and other places. She currently lives in Helena, MT where you can find her lifting weights and visiting hot springs.
Describe your teaching style.
My classes revolve around discussion: while I prepare mini-lectures, discussion questions, and have destinations in mind, classes are at their best when everyone comes with thoughts about the reading and about their own writing. In that way, what you get out of the class is commensurate with what you put in. We also move between discussing craft and having broader conversations about the content of a work because you cannot separate the two. Finally, I always end class with writing prompts to help generate material related to our discussions that students can work up into more polished pieces.
Jessica Gigot is a poet, farmer, and coach. She lives on a little sheep farm in the Skagit Valley. Her second book of poems, Feeding Hour (Wandering Aengus Press, 2020), won a Nautilus Award and was a finalist for the 2021 Washington State Book Award. Jessica’s writing and reviews appear in several publications, such as Orion, The New York Times, The Seattle Times, Ecotone, Terrain.org, Gastronomica, Crab Creek Review, and Poetry Northwest. She is currently a poetry editor for The Hopper and a 2022 Jack Straw Writer. Her latest work is A Little Bit of Land, published by Oregon State University Press.
Anis is your hot gay dad. According to their titas, they are and always have been masyadong suplada, masungit, walang hiya. They write about surviving sexual violence, which is to say, they write about returning to trust. They are disliked, disbelieved, and less and less afraid. Follow their instagram attempts @artista_anisgisele.
c.r. glasgow (doc/she/we) is a non-binary, queer, first-generation Afro-Caribbean-American healing artist, writer, and educator. c’s work has been supported by fellowships and craft shops through Hugo House, VONA, The Watering Hole, Hurston/Wright, and Anaphora. We have also been the recipient of the Haitian Heritage Scholarship through VONA in 2021. Their chapbook the Devils that raised Us was longlisted at Frontier Poetry. c’s work has appeared or is forthcoming in Killens Review, Black Lawrence Press, Breathe, Moko: Caribbean Arts & Letters, and Rigorous Magazine; and performances with Butch Is Not a Dirty Word, Leaf Lit Live!, Brooklyn Yawp, LitCrawl Seattle, and the Seattle Public Library, Hugo House, and Elliott Bay Book Company. With nearly 20 years as a healing artist, doc supports the global majority in addressing grief, liminal space, and intergenerational and ancestral traumas towards a path of embodied liberation. Â
Lisa Gluskin Stonestreet is the author of The Greenhouse (Frost Place Chapbook Prize) and Tulips, Water, Ash (Morse Poetry Prize). Her poems have appeared in journals including Plume, Zyzzyva, and Kenyon Review and anthologies including Nasty Women Poets and The Bloomsbury Anthology of Contemporary Jewish American Poetry. She holds a BA in contemporary American literature from Yale University and an MFA from the Warren Wilson Program for Writers, where she was a Javits Fellow. Lisa lives in Portland, OR, where she reads, writes, edits, parents, and cohosts the literary reading series Lilla Lit. (lisagluskinstonestreet.com)
Veronica Golos is author of four poetry books: A Bell Buried Deep (Nicholas Roerich Poetry Prize); Vocabulary of Silence (New Mexico Poetry Prize); Rootwork and GIRL (Naji Naaman Honor Prize for Poetry.) Her work has been extensively translated into Arabic; also Persian and Italian. She lives in Taos, New Mexico.
Edgar Gomez is a Florida-born writer with roots in Nicaragua and Puerto Rico. A graduate of University of California, Riverside’s MFA program, he is a recipient of the 2019 Marcia McQuern Award for nonfiction. His stories have appeared or are forthcoming in This American Life, POPSUGAR, Narratively, Longreads, Catapult, Ploughshares, The Rumpus, Lamda Literary, and elsewhere online and in print. His first book, a memoir titled High-Risk Homosexual, is forthcoming in January 2022 with Soft Skull Press. He currently lives in New York, where he is saving up for good lotion. For more, visit EdgarGomez.net.
Laura Gonzalez is an editorial assistant at Catapult Books. Previously, she was a marketing assistant at Catapult, Counterpoint, and Soft Skull Press and a bookseller at The Strand. She lives in Philadelphia, where she likes to bake cookies and play with her cats.
Oranj Goodman is just happy to be here. Â
SIMON GRAHAM is an MFA Candidate in Prose at the University of Washington. Their stories and essays have appeared in New York Tyrant, Vol 1. Brooklyn, Bull Magazine, X-R-A-Y, Hobart, and elsewhere. Prior to moving to Seattle, they lectured on climate change at Monash University in Melbourne and their writing on climate change has appeared in a number of Australian publications.Â
Shana Graham is a Seattle-based writer, producer, and somatic sex and relationship coach. Her work has appeared or is forthcoming in Cimarron Review, Witness, The Los Angeles Review, CRAFT, West Trade Review, Rust & Moth, and others. She’s been anthologized in the Seattle Erotic Art Festival Literary Anthology and was the recipient of the SEAF Literary Foundation Award in Short Works. She is working on a memoir in essays. Shana also creates living stories in the form of events filled with music, artistry, and general mayhem. You can find her at www.supershana.com (writing) and www.shanagraham.com (coaching).