Teachers

Lish McBride is the author of funny and creepy young adult books such as Hold Me Closer, Necromancer; Necromancing the Stone; Firebug; Pyromantic; and the upcoming Curses. She has a BFA in creative writing from Seattle University and an MFA from the University of New Orleans.

NICOLE MCCARTHY is an experimental writer and artist based outside of Tacoma. Her work has appeared in [PANK], The Offing, Redivider, Glass: A Journal of Poetry, Best American Experimental Writing, and others. A Summoning is her first nonfiction collection, published by Heavy Feather Review. Find Nicole at nicolemccarthypoet.com.

ERIN L MCCOY holds an MFA in creative writing and an MA in Hispanic studies from the University of Washington. Her work has appeared in the Best New Poets anthology twice, selected by Natalie Diaz and Kaveh Akbar. Her poetry and fiction have been published or are forthcoming in the American Poetry Review, Narrative, Bennington Review, Conjunctions, and other publications. She was a finalist for the Missouri Review’s Miller Audio Prize. Erin is acquisitions editor for Seattle-based independent publisher Entre Ríos Books. She is from Louisville, Kentucky. Her website is erinlmccoy.com and she can be found on Twitter at @erinlmccoy.

Frances McCue is a poet and prose writer. For a decade, she was the Founding Director of Richard Hugo House in Seattle. She has published six books, including a book of essays about poet Richard Hugo, The Car That Brought You Here Still Runs, and another that describes the portraits of photographer Mary Randlett. Her 2017 book of poems, Timber Curtain, is an exploration of lost places in our fast-developing city and arose from work on “Where the House Was,” a documentary film that tells one story about the arts and gentrification in Seattle. In 2018, she won the University of Washington’s Distinguished Teaching Award. Her chapbook called I Almost Read the Books Whole is out from Factory Hollow Press. Frances also writes about why tech folk might engage with poetry and recent articles appear in Geekwire and The Smart Set. 

Joy McCullough’s debut young adult novel, Blood Water Paint, won the Washington State and Pacific Northwest book awards, as well as honors including the National Book Award longlist, finalist for the ALA Morris Award, a Publishers Weekly Flying Start and four starred reviews. She has since written picture books and young adult and middle grade novels that have been Junior Library Guild Selections, Indie Next Selections, finalists for the Washington State Book Award, and a New York Time bestseller. Her most recent novel, Enter the Body, received six starred reviews. She writes books and plays from her home in the Seattle area, where she lives with her husband and two children. She studied theater at Northwestern University, fell in love with her husband atop a Guatemalan volcano, and now spends her days with kids and dogs and books.

Sheleen McElhinney is the author of Every Little Vanishing, a Write Bloody book. Her poems have also appeared or are forthcoming in Abandon Journal, Lily Poetry Review, Bayou Magazine, Slant, Laurel Review, and elsewhere. She is from Bucks County, Pa where she currently lives with her three children.

Jennifer McGaha is the author of Flat Broke with Two Goats, Bushwhacking: How to Get Lost in the Woods and Write Your Way Out, and The Joy Document (Broadleaf Books, 2024). She currently coordinates UNC-Asheville's Great Smokies Writing Program.

Describe your teaching style.

My teaching practice is deeply rooted in this belief in the power of writing to be both radical and revelatory. I encourage my students to approach memoir writing with more questions than answers, more curiosity than certitude, and I invite them to appreciate and even enjoy writing as a process that involves multiple drafts, multiple attempts at reaching for the truth. For me, this hope of gaining new insights into the experiences that have shaped me brings me to the page time and time again, and I encourage my students to approach their craft with an openness to what might be versus what is. My teaching, like my writing, is accessible, joyful, celebratory, and I value the unique insights each writer brings to the classroom with the ultimate goal of helping students discover the stories they most want to tell.

Elise McHugh is a senior acquisitions editor for the University of New Mexico Press. She holds an MA in creative writing and has taught English 101, poetry, and publishing classes and workshops in a variety of settings.

Robin McLean was a lawyer and then a potter in the woods of Alaska before turning to writing. Her first short fiction collection Reptile House won the BOA Fiction Prize, was twice a finalist for the Flannery O’Connor Prize, and was named a best book of 2015 in Paris Review. Her debut novel Pity the Beast, published in November of 2022, was noted as "a work of crazy brilliance" and a best book of fiction in 2021 in The Guardian, "stunning debut novel" in New York Review of Books, as well as a best book of the year in the Wall Street Journal. Her second collection of short fiction Get' em Young, Treat' em Tough, Tell 'em Nothing is forthcoming from And Other Stories on October 18, 2022. She lives in the high plains desert of central Nevada.

Kelly McWilliams is the author of the YA novels Agnes at the End of the World (2020), Mirror Girls (2022), and the forthcoming Your Plantation Prom Is Not Okay (Spring 2023, Little, Brown Young Readers). She lives in Seattle. 

Jessica Mehta, PhD is an Aniyunwiya (citizen of the Cherokee Nation) multi-disciplinary poet and artist. She recently returned from a Fulbright Senior Scholar post in Bengaluru, India where she instituted the first credit-based generative workshop for MFA students at Christ University and curated an anthology of contemporary Indian poetry written in the colonizer’s tongue. Jessica’s installation “The Red C[h]airn Project” is currently one of four pieces on exhibit at the Ucross Gallery in Wyoming. Her 16th book, “sp[RED]” is under contract with the Indigenous-owned Red Planet Books for a 2024 release. Learn more at www.thischerokeerose.com.

“Erika Meitner is the quintessential 21st century storyteller bearing witness from the vantage point of a social critic with heart, humor, and an incomparable voice.” ―Carmen Giménez Smith

“Erika Meitner is known for what’s called ‘documentary poetry,’ which combines some of the journalistic work of the reporter with the subjective renderings of the poet.” —NPR Books

“Erika Meitner…taps into national conversations on topics including motherhood, infertility, terrorism, Judaism, school shootings, the 2016 election, and race. The poems feel straightforward in a way that adds to their urgency. ” —Jewish Book Council

Poet and writer Erika Meitner is the author of five books of poems and winner of the 2018 National Jewish Book Award for Poetry. Born and raised in Queens and Long Island, NY, Meitner is a first-generation American: her father is from Haifa, Israel; her mother was born in a refugee camp in Stuttgart, Germany, which is where her maternal grandparents settled after surviving Auschwitz, Ravensbruck, and Mauthausen concentration camps. In a conversation with Rachel Zucker in Commonplace, Meitner explains that much of her work arises from a commitment to writing accurately and respectfully about the small town in which she lives, and the challenges of writing as an engaged member of her community while being an othered outsider, a poet, a Jew, and the white mother of a black son.

Her newest collection, Holy Moly Carry Me (BOA, 2018) transports readers into the heart of southern Appalachia—its highways and strip malls, its fragility and danger—as the speaker wrestles with racial tensions, religious identity, gun violence, raising children, and the anxieties of life in the 21st century. With a refusal to settle for easy answers, Meitner’s poems embrace life in an increasingly fractured society, and they never stop asking what it means to love our neighbor as ourselves. “In her graceful fifth collection, Meitner displays a sense of urgency informed by parenthood in this strange and particularly turbulent American moment. Hyper-aware of both suburban and rural landscapes, Meitner uncannily describes their features,” praises Publishers Weekly. While poet sam sax says, simply: “Holy Moly Carry Me is a triumph!”

Meitner’s first book, Inventory at the All-Night Drugstore (Anhinga Press, 2003), won the Robert Dana-Anhinga Prize for Poetry. Her second book, Ideal Cities (HarperCollins, 2010), was selected as a winner of the 2009 National Poetry Series competition. Her third collection, Makeshift Instructions for Vigilant Girls (2011) is “a sexy, funny, smart book full of crack-the-whip language’’, in the words of Beth Ann Fennelly. Meitner’s fourth collection of poems, Copia (2014), was published as part of BOA Editions’ American Poets Continuum Series. In a review of this collection, The Rumpus wrote: “When is it plenty? When is it enough? In Copia, Meitner gathers material from disparate places―big box stores, her grandmother, Yiddish speakers, her life in Blacksburg, VA, travel to Detroit―to consider these questions. The parts that she gathers, the fragments of language, the physical pieces of life, the things left behind, lost, abandoned are greater as a collection than any object individually. Things are more whole together, contained, bound. Meitner assembles plenitude only to ask, is plenty enough? That is the richness, the abundance of Copia.” Her sixth book of poems, Useful Junk, is forthcoming from BOA Editions in April 2022.

Her poetry and prose have been included in the anthologies Best American Poetry (2011), Starting Today: 100 Poems for Obama’s First 100 Days (2010), and Best African American Essays (2010), The Way We Work: Contemporary Writings from the American Workplace (2008), and Women Poets on Mentorship: Efforts and Affections (2008), as well as many journals, including The New York Times Magazine, The Southern Review, Slate, The Kenyon Review, Tin House, The New Republic, Ploughshares, and APR.

Meitner also creates larger-scale documentary photo/text projects on urban environments, including “This is Not a Requiem for Detroit” and “RNC CLE,” both commissioned by and published in Virginia Quarterly Review. She is currently working on a project on Miami and sea-level rise.

Meitner attended Dartmouth College, Hebrew University, and the University of Virginia, where she received her MFA in Creative Writing as a Henry Hoyns Fellow, and her MA in Religious Studies as a Morgenstern Fellow in Jewish Studies. Meitner was a US-UK Fulbright Distinguished Scholar in Creative Writing and the Diane Middlebrook Poetry Fellow at the University of Wisconsin Institute for Creative Writing and has received fellowships from The MacDowell Colony, the Virginia Center for Creative Arts, the Hermitage Artist Retreat, the Blue Mountain Center, and the Sewanee Writers’ Conference. She was also the recipient of the 2021 Poetry Society of America’s Cecil Hemley Memorial Award.

In addition to having taught creative writing at UVA, UW-Madison, and UC-Santa Cruz, Meitner has worked as a dating columnist, an office temp, a Hebrew school instructor, a computer programmer, a systems consultant, a lifeguard, a documentary film production assistant, and a middle school teacher in the New York City public school system.

Meitner is currently a Professor of English at Virginia Tech. She lives in Blacksburg, Virginia.