Teachers

Jay Aquinas Thompson (he/they) is a poet, essayist, and teacher with recent or forthcoming work in Interim, Pacifica Literary Review, Passages North, COAST | NoCOAST, and Poetry Northwest, where they're a contributing editor. Their poem "Poor and Carefree Strangers," published in FIVES: a Companion to Denver Quarterly, was a 2021–2022 Best of the Net nominee, and they're a 2021 Tin House Workshop alum. They've been awarded grants and fellowships from the Ragdale Foundation, the Community of Writers, the Sustainable Arts Foundation, and King County 4Culture. They live with their child in Washington state, where they teach creative writing to public school students and incarcerated women. Twitter @jayaquinas; Instagram @freshwater_merman

L. Timmel Duchamp is the publisher of Aqueduct Press, which she founded in 2004. Her work has been on the Otherwise Honor list multiple times and a finalist for the Sturgeon, Nebula, Homer, and Sidewise awards. The five-volume Marq’ssan Cycle won a special Otherwise Award honor in 2009. In 2008 she appeared as a Guest of Honor at Wis­Con. In 2009-2010 she was awarded the Neil Clark Spe­cial Achievement Award (“recognizing individuals who are proactive behind the scenes but whose efforts often don’t receive the measure of public recognition they deserve”). In 2015 she was the Editor Guest at Arma­dillocon. She has been a finalist for the World Fantasy Award twice, for her work as a publisher and editor. She has taught at the Clarion West Writers Workshop as well as one-day Clarion West workshops. She lives in Seattle.

Miriam BC Tobin (she|her) is a Seattle-based playwright, theatre artist, and writing instructor. She has performed on stages across the US and Europe and has taught drama to youth in Seattle, NYC, Denver, and on a farm in the Czech Republic. She founded MBCT; Modern But Classical Theatre in NYC to de- and re-construct classic plays into highly physical adaptations. Her play The War of Women received a roundtable reading at The Lark and several of her plays premiered at Goddard College’s Ten-Minute Play festival. Honors & awards include a Hedgebrook residency, PEN Writing Scholarship, Newington-Cropsey Fellowship, the London Dramatic Academy Fellowship, and she was a Pipeline Theatre PlayLab semi-finalist. Miriam was the fall 2020 Editor-in-Chief of The Pitkin Review and is currently a dramatic writing editor with The Clockhouse. Her work appears in multiple issues of The Pitkin and Smith & Kraus. Miriam also runs SCRiB LAB, a writing organization aimed at creating community through experimentation.

Describe your teaching style.

I'm all about interaction, collaboration, and discussion. My teaching style is very open, and I welcome all ideas and questions in the classroom. Each class is a mixture of different learning styles, including presented lessons, reading and writing exercises, and open discussions.

Tina Tocco is a Pushcart Prize nominee. As a writer for both children and adults, her work has appeared in kiddie magazines, such as Highlights, Cricket, Humpty Dumpty, AppleSeeds, and Odyssey, and in literary journals, including New Ohio Review, River Styx, Sou’wester, Roanoke Review, Potomac Review, Portland Review, and Italian Americana. Her children’s poetry collection, The Hungry Snowman and Other Poems, was released by Kelsay Books in 2019; her grown-up work was selected for The Best Small Fictions 2019 (Sonder Press, 2019), Best Nonfiction Food (Woodhall Press, 2020), and other anthologies. A recipient of multiple awards, Tina was a runner-up for the Society of Children’s Book Writers and Illustrator’s Work-in-Progress Grant and a finalist in CALYX’s Flash Fiction Contest. She earned her MFA in creative writing from Manhattanville College, where she was editor-in-chief of Inkwell. Tina has taught for GrubStreet, Hudson Valley Writers Center, Arts Escape, Kids Short Story Connection, and other organizations.

Describe your teaching style.

Very relaxed. Very positive.

Nicole Treska is the author of the debut memoir Wonderland. Her short fiction has appeared in New York Tyrant magazine, Epiphany literary journal, and Egress: New Openings in Literary Art. Her interviews and reviews are up at Electric Literature, Guernica, The Millions, BOMB, The Rumpus, and then some. She lives in Harlem with her husband, James, and their three-legged dog, Nadine.

Arianne True (Choctaw, Chickasaw) is a queer poet and folk artist based in Tacoma, WA. She teaches and mentors youth poets around Puget Sound and moonlights as a copyeditor. Arianne has received fellowships from Jack Straw, Hugo House, and Artist Trust, and is a proud alum of Hedgebrook and of the MFA program at the Institute of American Indian Arts. She was recently the Seattle Repertory Theater’s first Native Artist-in-Residence. You can find more of her work collected online at ariannetrue.com.

Brian Turner is the author of five collections of poetry, most recently: The Wild Delight of Wild Things (2023), The Goodbye World Poem (2023), and The Dead Peasant’s Handbook (2023), all forthcoming with Alice James Books. His other collections include Here, Bullet to Phantom Noise, and the memoir My Life as a Foreign Country. He is the editor of The Kiss and co-editor of The Strangest of Theatres anthologies. A musician, he has also written and recorded several albums with The Interplanetary Acoustic Team, including 11 11 (Me Smiling) and The Retro Legion’s American Undertow. His poems and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, among other fine journals, and he was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. He lives in Orlando, Florida, with his dog, Dene, the world’s sweetest golden retriever.

Christie Valentin-Bati is a poetry teaching artist based in Chicago. Her work received honorable mention from the Academy of American Poets, was commissioned by the ACLU, and her micro-chapbook "Journal" was showcased in Porous Gallery. She loves plants and shadows.

Describe your teaching style.

My main goal as an instructor is to bring out the language that exists in all of us and to refine it. We all carry unique life experiences, stories, and idiosyncrasies— often writers think they need to strip themselves of these traits to be a “good writer,” but good writing is just about one's ability to elicit a sense of aliveness in the reader by the honing in on the substantial center of subjectivity.

Lydia K. Valentine is a playwright and poet, director and dramaturg, editor, and educator. Lydia’s first poetry collection, Brief Black Candles, was published in November 2020 by Not a Pipe Publishing. Her writing has also appeared in online and print publications such as Speak, The Pitkin Review, and Shout! An Anthology of Resistance Poetry and Short Fiction. The anthology from Blue Cactus Press, We Need a Reckoning, takes its name from one of Lydia’s three poems that will be included. She has been the recipient of various awards and recognitions with the most recent being named the 2021-2023 City of Tacoma Poet Laureate.

María de Lourdes Victoria is an award-winning, bilingual author, born and raised in Mexico and living in the US. She is the author of novels, short stories and children's books. Maria is the founder of Seattle Escribe.

Elizabeth Villamán grew up on an island near the sea and uncertainty. Her interest in art began with poetry and painting and, from then on, the fusion of the arts became the hallmark of his creative processes. He was born in Santo Domingo, Dominican Republic. Writer, screenwriter, teacher, and actress. Graduated in the VIII promotion of the Master's Degree in Narrative and Intensive in Film Scripts, (Escuela de Escritores, Madrid, Spain), Master's Degree in People-Oriented Creativity Strategies, (Miguel de Cervantes European University). And a Specialization in the Teaching of Creative Writing (Escuela de Escritores, Madrid, Spain). Founder of Escribir es HOY. She has given creative workshops in Europe as well as in the United States, and has won various awards, with anthology publication with other authors, nationally and internationally. In 2019, she was the first winner of the Literary Residency scholarship in Coruña, through the René del Risco Bermúdez Foundation. In 2020 and 2022 she was selected for the Catapult Carribean Creative Online Grant, and in 2021 she won the second place Young Story Award in the Dominican Republic, among other awards Las Islas Rotas is one of her most recent book of stories.

Jaye Viner lives with a tall human and two fur bombs. She knows just enough about a variety of things to embarrass herself at parties she never attends. Her novel, Jane of Battery Park, is available from Red Hen Press.

Anna Vodicka's essays and travel writing have appeared in a variety of magazines and anthologies, including AFAR, Brevity, Electric Literature, Guernica, Harvard Review, McSweeney’s Internet Tendency, Ms., Longreads, Paste, Flash Nonfiction Funny, and Lonely Planet’s An Innocent Abroad. Her writing has been selected for Best of Brevity, Best Women's Travel Writing, Pushcart Prize Special Mention, The Missouri Review Audio Prize, and Best American Essays and Best American Travel Writing notables, in addition to earning residency fellowships to Vermont Studio Center, PLAYA, and Hedgebrook, and grant support from Artist Trust, 4Culture, and the Barbara Deming Memorial Fund. She co-led The Golf Pencil Group writing program at the King County Jail, and teaches flash nonfiction and generative workshops at Hugo House.

Wendy N. Wagner is the editor-in-chief of NIGHTMARE MAGAZINE and the managing/senior editor of LIGHTSPEED MAGAZINE. She is the author of the novella THE SECRET SKIN, the horror novel THE DEER KINGS, and the SF thriller AN OATH OF DOGS.

Kris Waldherr's many books for adults and children include The Book of Goddesses (Abrams), Bad Princess (Scholastic), and Doomed Queens (Crown), which The New Yorker praised as “utterly satisfying." Her debut novel The Lost History of Dreams (Atria) received a starred Kirkus review and was named a CrimeReads best book of the year. Her upcoming books include Unnatural Creatures: A Novel of the Frankenstein Women. Waldherr's fiction has won fellowships from the Virginia Center of the Creative Arts, and a works-in-progress reading grant from Poets & Writers. She is also the creator of the Goddess Tarot, which has over a quarter of a million copies in print, and teaches the Tarot to writers and other creatives. She lives in Brooklyn, NY.

Jeanine Walker is the author of The Two of Them Might Outlast Me (2022). She has received writing fellowships from Artist Trust, the Jack Straw Cultural Center, Wonju, UNESCO City of Literature, and Inprint. Her work has appeared in Bennington Review, New Ohio Review, Pleiades, Prairie Schooner, and elsewhere. A poet with a Ph.D. in creative writing from the University of Houston, Jeanine is a long-time poetry teacher and most recently taught English at Kangwon National University in Chuncheon, South Korea.

Describe your teaching style.

Positive, fun, and generous, I love to make my students feel welcome and let them know it's important to me that they're there.

Lyzette Wanzer is a San Francisco writer, editor, and writing workshop instructor. Her work appears in over twenty-five literary journals, magazines, books, and newspapers. Library Journal named her book, TRAUMA, TRESSES, & TRUTH: Untangling Our Hair Through Personal Narratives, a Top 10 Best Social Sciences Book. Her articles have appeared in Essay Daily, The Naked Truth, and the San Francisco University High School Journal. Her research interests include professional development for creative writers, Black feminism, critical race theory, and the lyrical essay form.

Lyzette serves as judge of the Soul-Making Keats Literary Competition’s Intercultural Essay category and the Women’s National Book Association’s Effie Lee Morris Writing Contest’s Fiction category. She presents her work at conferences across the country, including the American and Popular Culture Association, Association of Writers & Writing Programs (AWP), College English Association, Desert Nights, Rising Stars (Virginia G. Piper Center for Creative Writing), Empowering Wom[x]n of Color Conference, Louisville Conference on Literature & Culture Since 1900, Grub Street’s Muse & The Marketplace, San Francisco Writers Conference, The Society for the Study of African American Life and History, and Southern Humanities Council. In August 2021 she produced her own two-day virtual conference, Trauma, Tresses, & Truth: A Natural Hair Conference, featuring panels, workshops, and readings examining the policing, perception, politics, and persecution of Black women’s natural hair.

A National Writers’ Union and Authors Guild member, Lyzette has been awarded writing residencies at Blue Mountain Center (NY), Kimmel Harding Center for the Arts (NE), Playa Summer Lake (OR), Horned Dorset Colony (NY), Virginia Center for Creative Arts, Writers' Colony at Dairy Hollow (AR), Headlands Center for the Arts (CA), The Banff Centre for Arts and Creativity in Canada, PlySpace (IN), and The Anderson Center (MN). Her work has been supported with grants from Center for Cultural Innovation, San Francisco Arts Commission, California Arts Council, Yerba Buena Center for the Arts, Black Artist Foundry, The Awesome Foundation, and California Humanities, a National Endowment for the Humanities partner.

Lisa Wells is the author, most recently, of Believers: Making a Life at the End of the World, a finalist for the 2022 PEN/E.O. Wilson Literary Science Writing Award. Her debut collection of poetry, The Fix, won the Iowa Poetry Prize. You can find her essays in Harper’s Magazine, Granta, N+1, The New York Times, The Best American Science & Nature Writing, and in Orion Magazine where she writes the column “Abundant Noise.” 

Rachel Werner is a teaching artist for Hugo House, The Loft Literary Center, and Lighthouse Writers Workshop in addition to being the founder of The Little Book Project WI. Her literary writing and craft essays have been featured by Off Menu Press, Digging Through The Fat, and Voyage YA Literary Journal. A selection of Rachel's recipes is included in Wisconsin Cocktails (UW-Press, 2020), and her poetry in the anthology Hope Is The Thing: Wisconsinites on Perseverance in a Pandemic (The Wisconsin Historical Society, 2021). She also regularly contributes content to TheKitchn, The Spruce Eats, and Fabulous Wisconsin. Her latest book, Glow and Grow: A Brown Girl's Positive Body Guide (Free Spirit Publishing), is forthcoming in fall 2024.

Joe Wilkins is the author of the novel, Fall Back Down When I Die (Little Brown), a memoir, The Mountain and the Fathers (Counterpoint), and three poetry collections, most recently When We Were Birds, winner of the 2017 Oregon Book Award in Poetry. He directs the creative program at Linfield College. Go to Joe's website https://joewilkins.org or Facebook https://www.facebook.com/JoeWilkins.Author.

Describe your teaching style.

I think of all my classes as a focused, dynamic conversation. We explore and learn together.

“Williams demonstrates an astounding technical mastery of poetic forms that goes far beyond form for form’s sake, as he repeats, reconfigures, and recontextualizes words and phrases in order to create continuity and multifaceted meanings.” ―Muzzle Magazine

“Williams sings for the vanished, for the haunted, for the tortured, for the lost, for the place on the horizon where the little boat of the human body disappears in a wingdom of unending grace.” ―The Best American Poetry

“To experience Williams’ poetry is to encounter a lucid, unmitigated humanity, a voice for whom language is inadequate, yet necessarily grasped, shaped, and consumed.” ―Rachel Eliza Griffiths

Phillip B. Williams is the author of Mutiny (Penguin Random House, 2021), and Thief in the Interior (Alice James Books, 2016), winner of the 2017 Kate Tufts Discovery Award and a 2017 Lambda Literary award. He is also the author of the chapbooks Bruised Gospels (Arts in Bloom Inc., 2011) and Burn (YesYes Books, 2013).

His forthcoming collection Mutiny is a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy.

In his debut collection Thief in the Interior, Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one’s ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.

Of Thief in the Interior, Los Angeles Book Review noted, “The seasoned reader of poetry will be impressed that Thief in the Interior is Phillip B. Williams’s first collection. His control of the line is masterful, and his syntax eschews, for the most part, direct or simple delivery of language, creating a formal and solemn tone that scores the emotional pitches of the book.” Author Adrian Matejka notes, “Williams’s poems embody balance: uncompromising and magnetic, surprising and intuitive. Need is everywhere―in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave.”

Williams’s work has appeared or is forthcoming in Boston Review, Callaloo, Kenyon Review, The New Republic, The New Yorker, and others. He is the recipient of a 2020 creative writing grant from the National Endowment for the Arts, a 2017 Whiting Award, and a 2013 Ruth Lilly Fellowship. He serves as a faculty member at Bennington College and Randolph College low-res MFA.

Emily Wolahan (she/her) is the author of the poetry collection Hinge (NPRP 2015). Her poems have appeared in Puerto del Sol, Sixth Finch, Georgia Review, and Oversound, among other places. She holds an MFA from Columbia University and is currently pursuing a Ph.D. in Anthropology and Social Change (CIIS). She has been an editor at Two Lines Press and Jerry Magazine and is currently a Poetry Editor at Tinderbox Poetry Journal. www.emilywolahan.com

Simon Wolf has his MFA in Creative Writing and Poetics from the University of Washington Bothell. His work has been published with Leveler Poetry, featured in 'Coastal Poets – A Reading and Film Festival,' Clamor Journal, and is forthcoming in Inkwell. Check out more of Simon on Instagram @simon_sayspoems.

Deborah Woodard holds an MFA from the University of California, Irvine, and a PhD from the University of Washington. She is the author of Plato’s Bad Horse (Bear Star Press, 2006), Borrowed Tales (Stockport Flats, 2012), and No Finis: Triangle Testimonies, 1911 (Ravenna Press, 2018). Her chapbook Hunter Mnemonics (hemel press, 2008) was illustrated by artist Heide Hinrichs. She has translated Amelia Rosselli with Giuseppe Leporace in The Dragonfly: A Selection of Poems: 1953 – 1981 (Chelsea Editions, 2009) and with Roberta Antognini in Hospital Series (New Directions, 2015) and Obtuse Diary (Entre Ríos Books, 2018). Woodard teaches at Hugo House in Seattle and co-curates the reading series Margin Shift.