Teachers

Meet Our Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.

  • Headshot of Laura Gonzalez

    Laura Gonzalez

  • Headshot of Jasmine Griffin

    Jasmine Griffin

  • Headshot of Sara Grimes

    Sara Grimes

  • Hugo House logo

    Alle C. Hall

  • Headshot of Courtenay Hameister

    Courtenay Hameister

  • Headshot of Stephanie Barbé Hammer

    Stephanie Barbé Hammer

  • Headshot of Shelby Handler

    Shelby Handler

  • Headshot of Constance Hansen

    Constance Hansen

  • Headshot of Tara Hardy

    Tara Hardy

  • Headshot of Nicole Hardy

    Nicole Hardy

  • Headshot of Marguerite Harrold

    Marguerite Harrold

  • Headshot of Jennifer Haupt

    Jennifer Haupt

  • Headshot of Harmony Hazard

    Harmony Hazard

  • Headshot of Ann Hedreen

    Ann Hedreen

  • Headshot of Christine Hemp

    Christine Hemp

  • Headshot of Jose Hernandez Diaz

    Jose Hernandez Diaz

  • Headshot of Marissa Higgins

    Marissa Higgins

  • Headshot of Jodie Hollander

    Jodie Hollander

  • Headshot of Minda Honey

    Minda Honey

  • Headshot of Rebecca Hoogs

    Rebecca Hoogs

  • Headshot of Elise Hooper

    Elise Hooper

  • Headshot of Amanda Hosch

    Amanda Hosch

  • Headshot of Vanessa Hua

    Vanessa Hua

  • Headshot of Luther Hughes

    Luther Hughes

Headshot of Laura Gonzalez

Laura Gonzalez

Laura Gonzalez is an editorial assistant at Catapult Books. Previously, she was a marketing assistant at Catapult, Counterpoint, and Soft Skull Press and a bookseller at The Strand. She lives in Philadelphia, where she likes to bake cookies and play with her cats.

Headshot of Jasmine Griffin

Jasmine Griffin

Headshot of Sara Grimes

Sara Grimes

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Alle C. Hall

Pronouns: She/her

Seattle author Alle C. Hall's debut novel As Far as You Can Go Before You Have to Come Back won five prizes prior to publication, including The National League of American Pen Women’s Mary Kennedy Eastham Prize. Hall’s short work appears in journals including Dale Peck’s Evergreen Review,Tupelo Quarterly,New World Writing,CreativeNonfiction, and Another Chicago. She has a lively passion for bringing writers to an easy understanding of their writing and publishing goals.

Headshot of Courtenay Hameister

Courtenay Hameister

Pronouns: she/her

Courtenay Hameister is the former host of Live Wire and the author of Okay Fine Whatever: The Year I Went From Being Afraid of Everything to Only Being Afraid of Most Things—Amazon Bestseller and Thurber Prize for American Humor finalist.

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Stephanie Barbé Hammer

Pronouns: she/her

Stephanie Barbé Hammer is a seven-time Pushcart Prize nominee in Fiction, Nonfiction, and Poetry. She is the author of two novels, two poetry collections, a novelette, and a how to write Magical Realism manual. Her new poetry collection City Slicker is out with Bamboo Dart Press. Stephanie currently lives on Whidbey Island where she keeps on trying to walk to coffee.

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Shelby Handler

Shelby Handler is a writer, translator and educator living in Seattle on Duwamish and Coast Salish land. Recent work has appeared in Poetry, The Journal, and Poetry Northwest, among others. 

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Constance Hansen

Constance Hansen is the Assistant Managing Editor at Poetry Northwest. Her poetry has recently appeared in Harvard Review Online, EcoTheo Review, and Moist Poetry Journal. She lives in Seattle, where she writes about climate for the weather service, Currently. You may learn more at www.constancehansen.com.

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Tara Hardy

Tara Hardy is a working class, Queer Femme, Disabled poet whose book, My, My, My, My, My won a Washington State Book Award. Passionate about teaching & social justice, she teaches at Evergreen State College, University Beyond Bars, and more. 

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Nicole Hardy

Nicole Hardy is the author of the memoir Confessions of a Latter-Day Virgin and the poetry collections This Blonde and Mud Flap Girl's XX Guide to Facial Profiling — a chapbook of pop-culture inspired sonnets.

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Marguerite Harrold

Pronouns: She/Her

Marguerite Harrold has a Master of Fine Arts in creative writing from Columbia College Chicago. She is a member of the Community of Writers and an alum of the Bread Loaf Orion Environmental Writer’s Conference. She is the assistant editor of American Life in Poetry. 

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Jennifer Haupt

Pronouns: she/her

Jennifer Haupt is the author of the novels In the Shadow of 10,000 Hills and Come As You Are. She was awarded the 2021 Washington State Book Award for General Nonfiction as the editor of Alone Together: Love, Grief, and Comfort in the Time of COVID-19. Her essays and articles have been published in O, The Oprah MagazinePsychology TodayThe RumpusThe Sun, and many other publications. She teaches at Hugo House and elsewhere.  

Website: jenniferhaupt.com

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Harmony Hazard

Pronouns: she/her

Harmony Hazard received her MFA from Stony Brook and has writing published in The Rumpus, Catapult, River Teeth, Hippocampus, Essay Daily, and the anthology Rebellious Mourning. She is a nonfiction editor with The Vida Review and teaches writing in Tucson.

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Ann Hedreen

Pronouns: she/her

Ann Hedreen is an author (Her Beautiful Brain), teacher, and documentary filmmaker. Ann has written for 3rd Act Magazine, About Place Journal, The Seattle Times, and other publications, including her award-winning blog, The Restless Nest. She is working on a collection of essays.

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Christine Hemp

Pronouns: she/her

A chapter of Christine Hemp’s memoir, Wild Ride Home, was recently published in The New York Times. Her poems and essays have also appeared in Salon.com, Iowa Review, Psychology Today, and on NPR. She believes that to write well, we must live well, not in terms of "professional success" or achieving the "perfect" essay. story, or poem, but in how we embrace the unfamiliar, the uncomfortable, and the ecstatic. Only then can we offer our readers the truths they thirst for.

Website: https://christinehemp.com/index.html

Facebook: /hemprope

Instagram: @christinehemp

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Jose Hernandez Diaz

Pronouns: He/ Him/ His

Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of The Fire Eater (Texas Review Press, 2020). His work appears in Poetry, The Southern Review, The Yale Review, and in The Best American Nonrequired Reading. Go to josehernandezdiaz.com for more information or follow Jose @josehernandezdz.

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Marissa Higgins

Pronouns: she/her/hers
Headshot of Jodie Hollander

Jodie Hollander

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Minda Honey

Pronouns: she/her

Minda Honey's essays have been featured by Longreads, The Washington Post, The Guardian, Teen Vogue, and elsewhere, including the anthologies Burn It Down: Women Writing About Anger and A Measure of Belonging: Writers of Color on the New American South. www.mindahoney.com

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Rebecca Hoogs

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Elise Hooper

A native New Englander, Elise Hooper spent several years writing for television and online news outlets before getting an MA and teaching high-school literature and history. She now lives in Seattle with her husband and two daughters. Previous novels include The Other Alcott and Learning to See.

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Amanda Hosch

Pronouns: she/her

Amanda Hosch (she/her) is the author of the middle grade mystery, Mabel Opal Pear and the Rules for Spying. An English as a Second/Foreign Language teacher by profession, she taught abroad for almost a decade. A fifth-generation New Orleanian, Amanda now lives in Seattle with her family, two rescue cats, and a ghost cat. Currently, she writes copy for tech companies and volunteers with refugees as ESL Talk Time Facilitator.

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Vanessa Hua

Vanessa Hua is a columnist for the San Francisco Chronicle and the author of a short story collection, Deceit and Other Possibilities, and the novel, A River of Stars, which O, The Oprah Magazine calls "a marvel" and The Economist says is "delightful." For two decades, she has been writing, in journalism and in fiction, about Asia and the Asian diaspora. She has received a Rona Jaffe Foundation Writers’ Award, the Asian/Pacific American Award for Literature, the San Francisco Foundation’s James D. Phelan Award, and a Steinbeck Fellowship in Creative Writing, as well as honors from the Society of Professional Journalists and the Asian American Journalists Association. Her work has appeared in publications including The New York Times, The Atlantic, and The Washington Post. She works and teaches at the San Francisco Writers' Grotto.

Headshot of Luther Hughes

Luther Hughes