Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers
Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Yuki Tanaka was born and raised in Yamaguchi, Japan. He is the author of the debut poetry collection, Chronicle of Drifting (Copper Canyon Press, 2025). His poems have appeared in The New Republic, The Paris Review, Poetry, and elsewhere. He has also co-translated, with Mary Jo Bang, A Kiss for the Absolute: Selected Poems of Shuzo Takiguchi, published by Princeton University Press. He lives in Tokyo and teaches at Hosei University.
L. Timmel Duchamp is the publisher of Aqueduct Press, which she founded in 2004. Her work has been on the Otherwise Honor list multiple times and a finalist for the Sturgeon, Nebula, Homer, and Sidewise awards. The five-volume Marq’ssan Cycle won a special Otherwise Award honor in 2009. In 2008 she appeared as a Guest of Honor at WisÂCon. In 2009-2010 she was awarded the Neil Clark SpeÂcial Achievement Award (“recognizing individuals who are proactive behind the scenes but whose efforts often don’t receive the measure of public recognition they deserve”). In 2015 she was the Editor Guest at ArmaÂdillocon. She has been a finalist for the World Fantasy Award twice, for her work as a publisher and editor. She has taught at the Clarion West Writers Workshop as well as one-day Clarion West workshops. She lives in Seattle.
Miriam BC Tobin (she|her) is a Seattle-based playwright, theatre artist, and writing instructor. She has performed on stages across the US and Europe and has taught drama to youth in Seattle, NYC, Denver, and on a farm in the Czech Republic. She founded MBCT; Modern But Classical Theatre in NYC to de- and re-construct classic plays into highly physical adaptations. Her play The War of Women received a roundtable reading at The Lark and several of her plays premiered at Goddard College’s Ten-Minute Play festival. Honors & awards include a Hedgebrook residency, PEN Writing Scholarship, Newington-Cropsey Fellowship, the London Dramatic Academy Fellowship, and she was a Pipeline Theatre PlayLab semi-finalist. Miriam was the fall 2020 Editor-in-Chief of The Pitkin Review and is currently a dramatic writing editor with The Clockhouse. Her work appears in multiple issues of The Pitkin and Smith & Kraus. Miriam also runs SCRiB LAB, a writing organization aimed at creating community through experimentation.
Describe your teaching style.
I'm all about interaction, collaboration, and discussion. My teaching style is very open, and I welcome all ideas and questions in the classroom. Each class is a mixture of different learning styles, including presented lessons, reading and writing exercises, and open discussions.
Tina Tocco is a Pushcart Prize nominee. As a writer for both children and adults, her work has appeared in kiddie magazines, such as Highlights, Cricket, Humpty Dumpty, AppleSeeds, and Odyssey, and in literary journals, including New Ohio Review, River Styx, Sou’wester, Roanoke Review, Potomac Review, Portland Review, and Italian Americana. Her children’s poetry collection, The Hungry Snowman and Other Poems, was released by Kelsay Books in 2019; her grown-up work was selected for The Best Small Fictions 2019 (Sonder Press, 2019), Best Nonfiction Food (Woodhall Press, 2020), and other anthologies. A recipient of multiple awards, Tina was a runner-up for the Society of Children’s Book Writers and Illustrator’s Work-in-Progress Grant and a finalist in CALYX’s Flash Fiction Contest. She earned her MFA in creative writing from Manhattanville College, where she was editor-in-chief of Inkwell. Tina has taught for GrubStreet, Hudson Valley Writers Center, Arts Escape, Kids Short Story Connection, and other organizations.
Describe your teaching style.
Very relaxed. Very positive.
Nicole Treska is the author of the debut memoir Wonderland. Her short fiction has appeared in New York Tyrant magazine, Epiphany literary journal, and Egress: New Openings in Literary Art. Her interviews and reviews are up at Electric Literature, Guernica, The Millions, BOMB, The Rumpus, and then some. She lives in Harlem with her husband, James, and their three-legged dog, Nadine.
Brian Turner is the author of five collections of poetry, most recently: The Wild Delight of Wild Things (2023), The Goodbye World Poem (2023), and The Dead Peasant’s Handbook (2023), all forthcoming with Alice James Books. His other collections include Here, Bullet to Phantom Noise, and the memoir My Life as a Foreign Country. He is the editor of The Kiss and co-editor of The Strangest of Theatres anthologies. A musician, he has also written and recorded several albums with The Interplanetary Acoustic Team, including 11 11 (Me Smiling) and The Retro Legion’s American Undertow. His poems and essays have been published in The New York Times, The Guardian, National Geographic, Harper’s, among other fine journals, and he was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets’ Prize, and a Fellowship from the Lannan Foundation. He lives in Orlando, Florida, with his dog, Dene, the world’s sweetest golden retriever.
Christie Valentin-Bati is a poetry teaching artist based in Chicago. Her work received honorable mention from the Academy of American Poets, was commissioned by the ACLU, and her micro-chapbook "Journal" was showcased in Porous Gallery. She loves plants and shadows.
Describe your teaching style.
My main goal as an instructor is to bring out the language that exists in all of us and to refine it. We all carry unique life experiences, stories, and idiosyncrasies— often writers think they need to strip themselves of these traits to be a “good writer,” but good writing is just about one's ability to elicit a sense of aliveness in the reader by the honing in on the substantial center of subjectivity.
MarĂa de Lourdes Victoria is an award-winning, bilingual author, born and raised in Mexico and living in the US. She is the author of novels, short stories and children's books. Maria is the founder of Seattle Escribe.
Elizabeth Villamán grew up on an island near the sea and uncertainty. Her interest in art began with poetry and painting and, from then on, the fusion of the arts became the hallmark of his creative processes. He was born in Santo Domingo, Dominican Republic. Writer, screenwriter, teacher, and actress. Graduated in the VIII promotion of the Master's Degree in Narrative and Intensive in Film Scripts, (Escuela de Escritores, Madrid, Spain), Master's Degree in People-Oriented Creativity Strategies, (Miguel de Cervantes European University). And a Specialization in the Teaching of Creative Writing (Escuela de Escritores, Madrid, Spain). Founder of Escribir es HOY. She has given creative workshops in Europe as well as in the United States, and has won various awards, with anthology publication with other authors, nationally and internationally. In 2019, she was the first winner of the Literary Residency scholarship in Coruña, through the René del Risco Bermúdez Foundation. In 2020 and 2022 she was selected for the Catapult Carribean Creative Online Grant, and in 2021 she won the second place Young Story Award in the Dominican Republic, among other awards Las Islas Rotas is one of her most recent book of stories.
Elizabeth Villamán grew up on an island near the sea and uncertainty. Her interest in art began with poetry and painting and, from then on, the fusion of the arts became the hallmark of his creative processes. He was born in Santo Domingo, Dominican Republic. Writer, screenwriter, teacher, and actress. Graduated in the VIII promotion of the Master's Degree in Narrative and Intensive in Film Scripts, (Escuela de Escritores, Madrid, Spain), Master's Degree in People-Oriented Creativity Strategies, (Miguel de Cervantes European University). And a Specialization in the Teaching of Creative Writing (Escuela de Escritores, Madrid, Spain). Founder of Escribir es HOY. She has given creative workshops in Europe as well as in the United States, and has won various awards, with anthology publication with other authors, nationally and internationally. In 2019, she was the first winner of the Literary Residency scholarship in Coruña, through the René del Risco Bermúdez Foundation. In 2020 and 2022 she was selected for the Catapult Carribean Creative Online Grant, and in 2021 she won the second place Young Story Award in the Dominican Republic, among other awards Las Islas Rotas is one of her most recent book of stories.
Jaye Viner lives with a tall human and two fur bombs. She knows just enough about a variety of things to embarrass herself at parties she never attends. Her novel, Jane of Battery Park, is available from Red Hen Press.
Kris Waldherr's many books for adults and children include The Book of Goddesses (Abrams), Bad Princess (Scholastic), and Doomed Queens (Crown), which The New Yorker praised as “utterly satisfying." Her debut novel The Lost History of Dreams (Atria) received a starred Kirkus review and was named a CrimeReads best book of the year. Her upcoming books include Unnatural Creatures: A Novel of the Frankenstein Women. Waldherr's fiction has won fellowships from the Virginia Center of the Creative Arts, and a works-in-progress reading grant from Poets & Writers. She is also the creator of the Goddess Tarot, which has over a quarter of a million copies in print, and teaches the Tarot to writers and other creatives. She lives in Brooklyn, NY.
Jeanine Walker is the author of The Two of Them Might Outlast Me (2022). She has received writing fellowships from Artist Trust, the Jack Straw Cultural Center, Wonju, UNESCO City of Literature, and Inprint. Her work has appeared in Bennington Review, New Ohio Review, Pleiades, Prairie Schooner, and elsewhere. A poet with a Ph.D. in creative writing from the University of Houston, Jeanine is a long-time poetry teacher and most recently taught English at Kangwon National University in Chuncheon, South Korea.
Describe your teaching style.
Positive, fun, and generous, I love to make my students feel welcome and let them know it's important to me that they're there.
Lyzette Wanzer is a San Francisco writer, editor, and writing workshop instructor. Her work appears in over twenty-five literary journals, magazines, books, and newspapers. Library Journal named her book, TRAUMA, TRESSES, & TRUTH: Untangling Our Hair Through Personal Narratives, a Top 10 Best Social Sciences Book. Her articles have appeared in Essay Daily, The Naked Truth, and the San Francisco University High School Journal. Her research interests include professional development for creative writers, Black feminism, critical race theory, and the lyrical essay form.
Lyzette serves as judge of the Soul-Making Keats Literary Competition’s Intercultural Essay category and the Women’s National Book Association’s Effie Lee Morris Writing Contest’s Fiction category. She presents her work at conferences across the country, including the American and Popular Culture Association, Association of Writers & Writing Programs (AWP), College English Association, Desert Nights, Rising Stars (Virginia G. Piper Center for Creative Writing), Empowering Wom[x]n of Color Conference, Louisville Conference on Literature & Culture Since 1900, Grub Street’s Muse & The Marketplace, San Francisco Writers Conference, The Society for the Study of African American Life and History, and Southern Humanities Council. In August 2021 she produced her own two-day virtual conference, Trauma, Tresses, & Truth: A Natural Hair Conference, featuring panels, workshops, and readings examining the policing, perception, politics, and persecution of Black women’s natural hair.
A National Writers’ Union and Authors Guild member, Lyzette has been awarded writing residencies at Blue Mountain Center (NY), Kimmel Harding Center for the Arts (NE), Playa Summer Lake (OR), Horned Dorset Colony (NY), Virginia Center for Creative Arts, Writers' Colony at Dairy Hollow (AR), Headlands Center for the Arts (CA), The Banff Centre for Arts and Creativity in Canada, PlySpace (IN), and The Anderson Center (MN). Her work has been supported with grants from Center for Cultural Innovation, San Francisco Arts Commission, California Arts Council, Yerba Buena Center for the Arts, Black Artist Foundry, The Awesome Foundation, and California Humanities, a National Endowment for the Humanities partner.
Rachel Werner is a teaching artist for Hugo House, The Loft Literary Center, and Lighthouse Writers Workshop in addition to being the founder of The Little Book Project WI. Her literary writing and craft essays have been featured by Off Menu Press, Digging Through The Fat, and Voyage YA Literary Journal. A selection of Rachel's recipes is included in Wisconsin Cocktails (UW-Press, 2020), and her poetry in the anthology Hope Is The Thing: Wisconsinites on Perseverance in a Pandemic (The Wisconsin Historical Society, 2021). She also regularly contributes content to TheKitchn, The Spruce Eats, and Fabulous Wisconsin. Her latest book, Glow and Grow: A Brown Girl's Positive Body Guide (Free Spirit Publishing), is forthcoming in fall 2024.
Joe Wilkins is the author of the novel, Fall Back Down When I Die (Little Brown), a memoir, The Mountain and the Fathers (Counterpoint), and three poetry collections, most recently When We Were Birds, winner of the 2017 Oregon Book Award in Poetry. He directs the creative program at Linfield College. Go to Joe's website https://joewilkins.org or Facebook https://www.facebook.com/JoeWilkins.Author.
Describe your teaching style.
I think of all my classes as a focused, dynamic conversation. We explore and learn together.
Deborah Woodard holds an MFA from the University of California, Irvine, and a PhD from the University of Washington. She is the author of Plato’s Bad Horse (Bear Star Press, 2006), Borrowed Tales (Stockport Flats, 2012), and No Finis: Triangle Testimonies, 1911 (Ravenna Press, 2018). Her chapbook Hunter Mnemonics (hemel press, 2008) was illustrated by artist Heide Hinrichs. She has translated Amelia Rosselli with Giuseppe Leporace in The Dragonfly: A Selection of Poems: 1953 – 1981 (Chelsea Editions, 2009) and with Roberta Antognini in Hospital Series (New Directions, 2015) and Obtuse Diary (Entre RĂos Books, 2018). Woodard teaches at Hugo House in Seattle and co-curates the reading series Margin Shift.
I’m the author of a stack of grammar books (English Grammar For Dummies, Webster’s New World Punctuation: Simplified and Applied, and more) and an educator with four decades of experience teaching every level of English from 5th grade through AP. My most recent books, 25 Great Sentences and How They Got That Way (Norton, 2020) and Sentence. A Period-to-Period Guide to Building Better Readers and Writers (Norton, 2021), explore the techniques authors use to make their writing more effective. My only remotely cool moment came when I was interviewed by a reporter from MTV about the decision by “Panic! At the Disco” to drop their exclamation point.
Carolyne Wright’s new book is Masquerade, a memoir in poetry (Lost Horse Press, 2021). Previous books include This Dream the World: New & Selected Poems (Lost Horse, 2017), whose title poem won a Pushcart Prize and also appeared in The Best American Poetry 2009; and the anthology, Raising Lilly Ledbetter: Women Poets Occupy the Workspace (Lost Horse, 2015), which received ten Pushcart Prize nominations. Carolyne has also received NEA and 4Culture grants, and a Fulbright U.S. Scholar Award. Visit https://carolynewright.wordpress.com for more information.
Quetzalli brings over a decade of tech and writing expertise. Dedicated to creating educational content that demystifies technology, she's also the published author of "Docs-as-Ecosystem: The Community Approach to Engineering Documentation."
Becca Yenser is author of Bang the Dream (Selcouth Station Press, 2021), The Grief Lottery (forthcoming, ELJ Editions, 2022), and A Constellation of Wounds (forthcoming, Bone and Ink Press, 2022). Their semi-autobiographical novella, The Ms. Pac Man Chronicles, won the Daily Drunk Mag’s 2021 novella chapbook contest. More fiction, poetry, and nonfiction appear in Hobart, Bending Genres, Tiny Molecules, Heavy Feather Review, Susan, Ink Node, Fanzine, Superfroot Magazine, and X-Ray Literary Journal. Yenser is the recipient of the 2021 Reflex International Flash Fiction Contest. They were awarded Honorable Mention for the Masters Review 2021 Chapbook Contest, the Toasted Cheese Dead of Winter Horror Fiction Contest (2021), and the Waxing and Waning Prose Award (2021). Yenser earned an MFA at Wichita State University, where they studied fiction and poetry and were named Fiction Fellow. They worked as an award-winning reporter and arts and culture writer for WSU’s student-run paper, The Sunflower. Yenser also served as fiction editor and co-Editor-in-Chief of Mikrokosmos Literary Journal. The poet Jessica Q. Stark (author of Savage Pageant and editor of AGNI), commented, "Becca Yenser’s Bang the Dream is a revving engine, a clandestine swig under black sky, a series of torn portraits in which everyone feels a little bit haunted." The writer Kevin Maloney (Cult of Loretta), reviewing Bang the Dream, remarks, "Like the best of Lucia Berlin or Denis Johnson, Becca Yenser paints broken people against ecstatic landscapes: grievers moon-gazing in Ireland, junkies nodding off next to a Kansas River, an Albuquerque drug dealer fly fishing with the pink Sandias looming in the distance." Yenser was born in Iowa, raised in Oregon, and currently resides in New Mexico.
Website: www.inknode.com/beccayenser
Twitter: @beccayenser
Instagram: @beccayenser
Tanya L. Young is a BIPOC writer, visual artist and PhD student. Her work has been featured in publications such as Salt Hill Journal, The Amistad, New York Quarterly and others.
Wancy Young Cho is a Pushcart Prize nominee and appears in the New Orleans Review, NBC’s THINK, The Stranger, and Salon. He holds an MFA from Columbia University, Columbia Scholastic Press Association Gold Circle Award, and Written Image Screenwriting Award.
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