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Registration for this class will close on April 30th.
Advanced | As poets, how do we put books together? What does it mean to move from writing good poems to weaving and assembling an entire book? How do poets listen to the specific calls of the muse toward disparate verses and also keep an eye on the wider shape of a possible emergent volume? If you have poems but don’t know how to find the book inside them, this class is for you. We will read several collections to understand their logics of assembly, do strategic writing to fill out our collections, generate new material, edit what we have, and collect strategies for aligning our own poems.
Due to COVID-19, all classes will take place online-either through Zoom or through Wet Ink, our asynchronous learning platform-through Spring quarter 2021.
All times are listed in Pacific Time.
Class Type: 6 SessionsOnline, Poetry
Term: Spring 2021
Start Date: 05/05/2021
End Date: 06/09/2021
Days of the Week: Wednesday
Time: 5:00 pm – 7:00 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$305.00 General Price:
Class has begun, registration is closed.
Tess Taylor is a poet and the poetry critic for NPR’s All Things Considered and a columnist for CNN. Her most recent book is Rift Zone (Red Hen Press, 2020), which the Los Angeles Times called “brilliant.” In his
introduction to the collection, Ilya Kaminsky describes Taylor’s voice as “invaluable” and she is a “poet for our moment.” Her other books include Work & Days (Red
Hen Press, 2016), named one of the best poetry books of 2016 by The New York Times; The Forage House (Red Hen Press, 2013), a finalist
for the Believer Poetry Award which The San Francisco Chronicle called “stunning,” and the chapbook The
Misremembered World, which was selected by Eavan Boland for the Poetry
Society of America’s inaugural chapbook fellowship. In February 2020, Last West, an exciting book length commission from the Museum of
Modern Art, was published in conjunction with the MOMA show, Dorothea Lange: Words & Pictures. ” Her work explores California and the
American West, her life as a critic, and the intersection of poetry and journalism.