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Intermediate | What do a rocking horse, a mind as camera, and a lampshade of silvering hair have in common? These are images conjured by contemporary poets. Though traditionally a white male realm, surrealist poetics is currently undergoing an exciting revolution. Together, we will generate a collage of poems using a paintbox of surrealist prompts and seek out mentor poems in the work of Valzhyna Mort, Terrance Hayes, Tlotlo Tsamaase, and Warsan Shire. We’ll share and discuss the 5-7 poems we create.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Susan Rich is the author of four collections of poetry including Cloud Pharmacy, The Alchemist’s Kitchen, named a finalist for the Foreword Prize and the Washington State Book Award, Cures Include Travel, and The Cartographer’s Tongue, winner of the PEN USA Award for Poetry and the Peace Corps Writers Award. Along with Brian Turner and Jared Hawkley, she is editor of The Strangest of Theatres: Poets Writing Across Borders. She has received awards and fellowships from Artist Trust, CityArtists, 4Culture, The Times Literary Supplement of London, Peace Corps Writers and the Fulbright Foundation. Rich’s poems have appeared in the Harvard Review, New England Review, and the Southern Review.
She has worked as a staff person for Amnesty International, an electoral supervisor in Bosnia Herzegovina, and a human rights trainer in Gaza and the West Bank. Rich lived in the Republic of Niger, West Africa as a Peace Corps Volunteer, later moving to South Africa to teach at the University of Cape Town on a Fulbright Fellowship.
Rich’s international awards include the Times Literary Supplement Award, a residency at the Tyrone Guthrie Center in Ireland and a residency at Fundacion Valparaiso in Spain. Other poetry honors include an Artist Trust Fellowship, a 4 Culture Award, a Seattle CityArtist Project Award, a GAP Award, and participation in the Cuirt Literary Festival in Galway, Ireland.
Her poems have been published in the Antioch Review, Alaska Quarterly Review, Christian Science Monitor, Harvard Review, Gettysburg Review, New England Review, Northwest Review, Poetry International and The Southern Review. Anthologized poems and essays are included in Best Essays of the Northwest, Poets of the American West, Poem Home: An Anthology of Ars Poetica, I Go to the Ruined Place: Contemporary Poets in Defense of Human Rights, Poem Revised: 54 Poems, and The Working Poet: 75 Poetry Writing Exercises. Susan is an alumna of Hedgebrook, the Helen Whiteley Center and the Ucross Foundation. She serves on the boards of Crab Creek Review, Floating Bridge Press and Whit Press.
Educated at the University of Massachusetts, Harvard University, and the University of Oregon, Susan Rich lives in Seattle and teaches at Highline College where she runs the reading series, Highline Listens: Writers Read Their Work. She has two collections forthcoming: The Gallery of Postcards and Maps: New and Selected Poems (Salmon Press) and Blue Atlas (Red Hen Press).