Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Intisaar is a Seattle-based Palestinian-American singer/songwriter/guitarist. She is most known for her emotive and unique melody lines, powerful vocal range, and interesting chord progressions. When playing live, she is an acoustic/electric powerhouse that commands the room with the vulnerability and charm of a 90s female icon, and can still lighten the mood with humor and grace between songs. She has played famed Seattle venues like The Crocodile, The Moore, Neumos, The Sunset, and The Nectar Lounge, and toured across the US with her 2015 debut album, Borrowed Ground.
Ramón Isao is a recipient of the Tim McGinness Award for Fiction, as well as fellowships from Artist Trust and Jack Straw Cultural Center. His stories appear in such journals as The Iowa Review, Ninth Letter, Moss, and Hobart, and his screen credits include ZMD and Dead Body. He holds an MFA from Columbia University and serves as Fiction Editor at New Orleans Review.
The Go Janes feature ukulele, guitar, and generous doses of delicious harmony vocals.Â
We have decades of experience as creative artists, community organizers, educators and inquisitive consumers of life. Arni and Patrice are members of the satirical trio Uncle Bonsai; Kathleen Tracy is an accomplished solo artist and community chorus director. Patrice has produced the Wintergrass Festival almost from its inception. Arni and Patrice are also visual artists. and Arni and Kathleen are both sought after educators and coaches working with children, adults and the differently-abled.Â
Our writing ranges from tender and sweet love tributes to the simple act of being human with each other, to how weird it is that magicians used to (pretend to) saw women in half for entertainment. From monkey-infested golf courses in India, and what that teaches us about how to greet lifeâs challenges, to letting go of our independent children, and losing those we love in more lasting ways. Along the way we pay homage to our ancestors and to each othersâ most idiosyncratic selves. And there are knife-throwers, and howling dogs, and how the pandemic made us fight with each other (and ourselves).Â
Maya Jewell Zeller is the author of the interdisciplinary collaboration (with visual artist Carrie DeBacker) Alchemy For Cells & Other Beasts, the chapbook Yesterday, the Bees, and the poetry collection Rust Fish; her prose appears in such places as Brevity and Gettysburg Review. Recipient of a Promise Award from the Sustainable Arts Foundation as well as a Residency in the H.J. Andrews Experimental Forest, Maya is Associate Professor of English for Central Washington University, and Affiliate Poetry Faculty for Western Colorado University's low-res MFA. Find Maya on Twitter @MayaJZeller.
Sonora Jha is the author of the novels The Laughter (2023) and Foreign (2013) and the memoir How To Raise A Feminist Son: A Memoir and Manifesto (2021). After a career as a journalist covering crime, politics, and culture in India and Singapore, she moved to the United States to earn a Ph.D. in media and public affairs. Sonoraâs OpEds, essays, and public appearances have featured in The New York Times, on BBC, and elsewhere. She is a professor of journalism and lives in Seattle. She teaches fiction and essay writing for Hugo House, Hedgebrook Writersâ Retreat, and Seattle Public Library.Â