Teachers

Katerina Canyon is a 2020 and 2019 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album. 

Kate Carmody is a recipient of a CINTAS Foundations grant supporting artists born in Cuba or of Cuban descent. Her work has been published or is forthcoming in Potomac Review, Essay Daily, No Contact, Los Angeles Review, The Journal of Compressed Creative Arts, and Lunch Ticket, among others. She received her MFA from Antioch University in Los Angeles. While pursuing her MFA in creative nonfiction, she worked as a blogger, assistant blog editor, and the assistant lead editor for the youth spotlight series at Lunch Ticket. In addition to teaching at Hugo House, she teaches writing through the Loft Literary Center, Austin Bat Cave, and Antioch’s Continuing Education Program. In 2012, she received the Facing History and Ourselves Margot Stern Strom Teaching Award and in 2017, was selected by Facing History and Ourselves to participate in a Bill and Melinda Gates Foundation grant-funded study to assess if peer-led professional development can improve teachers’ instruction of literacy standards. She lives in Denver, Colorado with her husband and dog. The three of them are in a band called Dadafacer.

Katrina Carrasco writes novels, short stories, and essays. Her debut novel, The Best Bad Things (MCD/Farrar, Straus and Giroux, 2018), was a finalist in the Lambda Literary Awards and Washington State Book Awards, and won the Shamus Award for Best First P.I. Novel. Her essays and short stories have appeared in publications and websites including Witness Magazine, Post Road Magazine, and Literary Hub. She has received support from the Corporation of Yaddo, Blue Mountain Center, Jentel, Artist Trust, and other residencies and arts organizations. Katrina is a former mentor with Latinx in Publishing. Her new book, Rough Trade (MCD/FSG), will be out this April.

Bill Carty is the author of Huge Cloudy (Octopus Books, 2019), which was long-listed for The Believer Book Award, and We Sailed on the Lake, published by Bunny Presse/Fonograf Editions in 2023. He has received poetry fellowships from the Fine Arts Work Center in Provincetown, Artist Trust, Hugo House, and Jack Straw Cultural Center. He was awarded the Emily Dickinson Award from the Poetry Society of America, and his poems have appeared in the jubilat, Best American Poetry, Denver Quarterly, Iterant, Paperbag, The Kenyon Review, 32 Poems, and other journals. Originally from Maine, Bill now lives in Seattle, where he is Senior Editor at Poetry Northwest. He teaches at Hugo House, the UW Robinson Center for Young Scholars, and Edmonds College.

Bill Carty is the author of Huge Cloudy (Octopus Books, 2019), which was long-listed for The Believer Book Award, and We Sailed on the Lake, published by Bunny Presse/Fonograf Editions in 2023. He has received poetry fellowships from the Fine Arts Work Center in Provincetown, Artist Trust, Hugo House, and Jack Straw Cultural Center. He was awarded the Emily Dickinson Award from the Poetry Society of America, and his poems have appeared in the jubilat, Best American Poetry, Denver Quarterly, Iterant, Paperbag, The Kenyon Review, 32 Poems, and other journals. Originally from Maine, Bill now lives in Seattle, where he is Senior Editor at Poetry Northwest. He teaches at Hugo House, the UW Robinson Center for Young Scholars, and Edmonds College.

Bill Carty is the author of Huge Cloudy (Octopus Books, 2019), which was long-listed for The Believer Book Award, and We Sailed on the Lake, published by Bunny Presse/Fonograf Editions in 2023. He has received poetry fellowships from the Fine Arts Work Center in Provincetown, Artist Trust, Hugo House, and Jack Straw Cultural Center. He was awarded the Emily Dickinson Award from the Poetry Society of America, and his poems have appeared in the jubilat, Best American Poetry, Denver Quarterly, Iterant, Paperbag, The Kenyon Review, 32 Poems, and other journals. Originally from Maine, Bill now lives in Seattle, where he is Senior Editor at Poetry Northwest. He teaches at Hugo House, the UW Robinson Center for Young Scholars, and Edmonds College.

Elaine Castillo is the author of the widely acclaimed debut novel, America is Not the Heart (Viking, 2018), named one of the best books of the year by NPR, The Boston Globe, Kirkus Reviews, the New York Public Library, and many others. In August 2022, Viking will publish her first work of nonfiction, How to Read Now, on the politics and ethics of our reading culture. Her writing has appeared in Freeman’s, The Rumpus, Lit Hub, Taste Magazine, Electric Literature, and elsewhere. Her short film, A Mukkbang, was commissioned by the San Francisco Museum of Modern Art’s Open Space. She is a VONA Foundation Fellow, and was a three-time recipient of the Roselyn Schneider Eisner Prize for prose while at UC Berkeley. She has also been nominated for the Pat Kavanagh Award, a Pushcart Prize, and a Gatewood Prize.

Claudia Castro Luna is the author of Cipota Under the Moon (Tia Chucha Press, 2022); One River, A Thousand Voices (Chin Music Press, 2020 & 2022); Killing Marías (Two Sylvias, 2017) finalist for the WA State Book Award 2018, and the chapbook This City (Floating Bridge, 2016). She served as Washington’s State Poet Laureate (2018-2021) and as Seattle's inaugural Civic Poet (2015-2017). She was named Academy of American Poets Laureate Fellow in 2019. Her most recent non-fiction is in There’s a Revolution Outside, My Love: Letters from a Crisis (Vintage). Born in El Salvador, Castro Luna came to the United States in 1981. Living in English and Spanish, she writes and teaches in Seattle on unceded Duwamish lands where she gardens and keeps chickens with her husband and their three children. 

Claudia Castro Luna is the author of Cipota Under the Moon (Tia Chucha Press, 2022); One River, A Thousand Voices (Chin Music Press, 2020 & 2022); Killing Marías (Two Sylvias, 2017) finalist for the WA State Book Award 2018, and the chapbook This City (Floating Bridge, 2016). She served as Washington’s State Poet Laureate (2018-2021) and as Seattle's inaugural Civic Poet (2015-2017). She was named Academy of American Poets Laureate Fellow in 2019. Her most recent non-fiction is in There’s a Revolution Outside, My Love: Letters from a Crisis (Vintage). Born in El Salvador, Castro Luna came to the United States in 1981. Living in English and Spanish, she writes and teaches in Seattle on unceded Duwamish lands where she gardens and keeps chickens with her husband and their three children. 

Ren Cedar Fuller's debut book, Bigger, won the 2024 Autumn House Press Nonfiction Prize and was a finalist for the 2024 Iron Horse Prize and the Santa Fe Writers Project 2023 Literary Awards Program.

Her creative nonfiction essays have won Under the Sun's Summer Writing Contest in 2022, been a finalist in the 2022 Terry Tempest Williams Prize for Creative Nonfiction at North American Review, and placed second in the 2022 Eunice Williams Nonfiction Prize. Ren’s essays have appeared in HerStry, Hippocampus, New England Review, North American Review, and Under the Sun, and have been nominated for a Pushcart Prize and Best American Essays.

Ren is a parent facilitator at TransFamilies, an online hub for families with gender diverse children. She taught public school in California, Oregon, and Washington before founding a nonprofit early learning center in the Seattle area, where she continues teaching parent education.

Ren lives in Seattle with her husband, Jason, and loves to kayak on the Salish Sea. She is currently in the M.F.A. in Writing program at Pacific University.

Aleyda Marisol Cervantes is a self-identified third-world woman. She is also a TEDx presenter and an advocate for immigrant communities. Her work appears in PALABRITAS, Acentos Review, and We Need a Reckoning. She tries to make time to enraizar herself in her body by writing and imagining a better world is possible. 

Learn more on Kristin Chambers' website!

Jessamine Chan’s short stories have appeared in Tin House and Epoch. A former reviews editor at Publishers Weekly, she holds an MFA from Columbia University. Her first novel, The School for Good Mothers, is a New York Times bestseller and a Read with Jenna Today Show Book Club pick. She lives in Chicago with her husband and daughter.

JUSTINE CHAN is a writer and singer-songwriter from Chicago. Her debut poetry book, Should You Lose All Reason(s), is forthcoming from Chin Music Press in April 2023. Her work has appeared in Electric Literature, Baltimore Review, Beecher’s, Booth, Poetry on Buses, and Midwestern Gothic among others. She holds an MFA in Creative Writing from the University of Washington and has worked many seasons as a park ranger with the National Park Service. 

Celeste Chan is a writer and artist schooled by Do-It-Yourself culture and immigrant parents from Malaysia and the Bronx NY. She founded and directed Queer Rebels (a queer and trans people of color arts project), created and curated experimental films, joined Foglifter Literary Journal as an editor and board member, and toured with feminist literary road show, Sister Spit. She's grateful for support from Hedgebrook, Hugo House, Periplus, Ragdale, and Carolyn Moore House, among others. Celeste is now focused on writing her hybrid memoir.

Victoria Chang’s new book of poetry is The Trees Witness Everything (Copper Canyon Press and Corsair Books, U.K.). Her previous book of poetry, OBIT (Copper Canyon Press, 2020), was named a New York Times Notable Book, a Time Must-Read Book, and received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award in Poetry, and the PEN/Voelcker Award. Her nonfiction book, Dear Memory (Milkweed Editions), was published in 2021. She has received a Guggenheim Fellowship, and lives in Los Angeles and is a Core Faculty member within Antioch’s low-residency MFA Program.