Teachers

Hannah Schoettmer's poetry has appeared in venues like The Louisville Review, SOFTBLOW, Glass: A Journal of Poetry, ONE ART, and elsewhere. She's received a fellowship from Brooklyn Poets. Her debut chapbook, Body Panopticon (Bottlecap Features), was released in 2022.

Heidi Seaborn thought she’d grow up to be a writer. And eventually, she did. But first, she had a long global business career, raised three children, divorced, remarried, and then finally, in her late 50’s took a class at the Hugo House that helped launch her second act as a poet, essayist, and editor. Since 2016, Heidi’s authored two full-length collections of poetry, including PANK Books 2020 Poetry Award winner An Insomniac’s Slumber Party with Marilyn Monroe (2021), Give a Girl Chaos (C&R Press, 2019), and three chapbooks of poetry including the 2020 Comstock Review Prize Chapbook, Bite Marks (2021), as well as Finding My Way Home (Finishing Line Press, 2018) and Once a Diva (dancing girl press, 2021), as well as a poetic political pamphlet Body Politic (Mount Analogue Press, 2017). She’s won or been shortlisted for over two dozen awards. Her poetry and essays have recently appeared in American Poetry Journal, Beloit Poetry Journal, Best American Poetry, Brevity, Copper Nickel, The Cortland Review, The Financial Times, The Greensboro Review, The Missouri Review, The Slowdown, Tinderbox Poetry Journal, The Washington Post, and elsewhere. She is Executive Editor of The Adroit Journal and holds an MFA in Poetry from NYU and a BA from Stanford University. After living all over the world, she now resides in her hometown of Seattle.

Monika Sengul-Jones (she/her), PhD, is an independent writer and scholar based in Seattle, WA, the traditional territories of the Coast Salish people. She has a doctorate in Communication and Science & Technology Studies and an MA in Gender Studies. She has taught at University of Washington, UC San Diego, and Central European University; she was the inaugural co-managing editor of Catalyst, a feminist technoscience journal. Her research and original reporting on technologies, civic media, and intersectional feminism have been supported by Art+Feminism, European Journalism Centre, OCLC, Knight Foundation, WikiCred, and Wikimedia Foundation. She is at work on a debut novel that takes on the geographies of pollution and inheritance of trauma. As an instructor, she encourages students to take risks by listening, following ideas, and naming the extraordinary in the ordinary.

Natalie Serianni is a Seattle-based writer and instructor with work at HuffPost, Insider, Motherwell, MSN/SheKnows, The Manifest-Station, Seattle's ParentMap, Today's Parent, and MuthaMagazine, among others. Her essay, "Subtle Shifts," was included in the 2021 anthology, "The Pandemic Midlife Crisis: Gen X Women on the Brink." She writes about grief and parenting (sometimes together), and has taught college writing for over twenty years. Connect with her on instagram @natserianni or at natalieserianni.com. 

Emily Sernaker is a writer and human-rights professional based in Brooklyn. Her work has appeared in the Sun, New York Times, Ms. Magazine, McSweeney’s, Los Angeles Review of Books, San Francisco Chronicle, Los Angeles Times, Rumpus, New Ohio Review and more. Over the last few years she has teamed up with Brooklyn Public Library to organize free, intergenerational, human-rights poetry programming, including Holding Space for Grief events, an Interfaith Poetry Reading, and Global Citizen poetry classes. She has worked as a staff member at the International Rescue Committee and New York Peace Institute and is currently an adjunct professor at the New School. Go to www.emilysernaker.com for more information or follow on social media @Emilysernaker.

Zain Shamoon is a professor of couple and family therapy at Antioch University Seattle. He hold his PhD in Human Development and Family Studies. He is the host and founder of the Narratives of Pain storytelling showcase.

Shama Shams is a Seattle writer, speaker, and nonprofit executive with an MA from Florida State University. Her memoir, She Called Me Throwaway (March 2024), details her journey from a challenging childhood to healing, and she is currently working on The Dreamers, a collection of immigrant stories about the American Dream. Shama also teaches at North Seattle College and Edmonds College while leading storytelling and nonprofit development workshops.

Radhika Sharma is the author of Parikrama: A Collection of Short Stories and Mangoes for Monkeys: A Novel. Radhika received her MFA from the San Francisco State University. Her byline has appeared in several newspapers and magazines including The San Francisco Chronicle, The San Jose Mercury News, India Currents, Tri City Voice, and others. She is currently at work on a novel and a collection of essays.

Nisi Shawl (they/them) is the multiple award-winning author and editor of over a dozen books of speculative fiction and related nonfiction, including the Nebula Award finalist novel Everfair; the standard text on inclusive representation, Writing the Other; and the first two volumes of the New Suns anthology series. Their most recent publication is the middle grade historical fantasy novel Speculation, which Lee & Low published in January 2023. They’ve taught and spoken at Duke University, Spelman College, Stanford University, Sarah Lawrence College, and many other institutions. Once upon a time, they conducted a filmed, onstage interview with Octavia E. Butler.

Gina Siciliano is an artist, writer, historian, and bookseller living in Seattle, WA. Her award-winning graphic novel I Know What I Am: The Life and Times of Artemisia Gentileschi was published by Fantagraphics in 2019.

Cedar Sigo was raised on the Suquamish Reservation in the Pacific Northwest and studied at The Jack Kerouac School of Disembodied Poetics at the Naropa Institute. He is the author of eight books and pamphlets of poetry, including All This Time (Wave Books, 2021), Stranger in Town (City Lights, 2010), Expensive Magic (House Press, 2008), two editions of Selected Writings (Ugly Duckling Press, 2003 and 2005) and most recently the Bagley Wright Lecture Series book Guard the Mysteries (Wave Books, 2021). He has taught workshops at St. Mary’s College, Naropa University and University Press Books. He is currently a mentor in the low residency MFA program at The Institute of American Indian Arts. He lives in Lofall, Washington.

Darina (Dasha) Sikmashvili was born in Lubny, Ukraine, and raised in Brooklyn, New York. She received her MFA in fiction from the University of Michigan and has been working in film production for over a decade.

Judith Skillman’s Oscar the Misanthropist, won the Floating Bridge Press Chapbook Award, 2021. Her work has appeared in Cimarron Review, Threepenny Review, Zyzzyva, and other literary journals. She is the recipient of awards from Academy of American Poets and Artist Trust, and lead editor of When Home Is Not Safe, Writings on Domestic Verbal, Emotional, and Physical Abuse, McFarland. Skillman’s new book is Subterranean Address, New & Selected Poems 2014-2022, Deerbrook Editions. Visit www.judithskillman.com for more information.

Ed Skoog is the author of four books of poems, most recently Travelers Leaving for the City (Copper Canyon Press, 2020). His poems have appeared in The New Yorker, Paris Review, The New Republic, American Poetry Review, Poetry Northwest and elsewhere. He has received fellowships from The Lannan Foundation and George Washington University, and has served as writer-in-residence at the Richard Hugo House. He lives in Portland, Oregon. 

Beth Slattery moved to Seattle after eighteen years of teaching creative writing and literature at Indiana University East. Since her relocation, she has been writing and editing. Beth is currently working on a collection of personal essays about her mid-life marriage to a Zimbabwean, a move from the Midwest to the Pacific Northwest, and a reluctant acceptance of the call to adventure. Her most recent publications appear in Assay: A Journal of Nonfiction Studies and Southern Women’s Review. Beth’s recent editing work includes being a “beta” reader for an author with a multi-book publishing contract, content and copy editing of a personal essay collection, and providing comprehensive editing services on an edited academic volume that was later published by Oxford University Press. She has an M.A. in fiction writing from Miami University and an M.F.A. in creative nonfiction from the University of Southern Maine—Stonecoast.

Describe your teaching style.

I'm a firm believer that we learn best when we discuss subjects, ask big questions (that sometimes don't have answers), and then apply that new knowledge (or questions) to our writing. In other words: we talk a lot; we write a lot. Added bonus: we have fun.

Danez Smith is a Black, Queer, Poz writer & performer from St. Paul, MN. Danez is the author of Homie, (Graywolf Press, 2020), winner of the Minnesota Book Award, the Heartland Bookseller Award, and a finalist for the National Book Critics Circle Award; Don’t Call Us Dead (Graywolf Press, 2017), winner of the Forward Prize for Best Collection, the Midwest Booksellers Choice Award, and a finalist for the National Book Award; and [insert] boy (YesYes Books, 2014), winner of the Kate Tufts Discovery Award and the Lambda Literary Award for Gay Poetry. Danez is a member of the Dark Noise Collective and is the co-host of VS with Franny Choi, a podcast sponsored by the Poetry Foundation and Postloudness.

Nat Oleander Smith studied playwriting at Amherst College and completed their MFA at Ohio University. They are the recipient of the Denis Johnston Playwriting Prize, and have taught fiction and screenwriting in Kenya and playwriting around the US.

Rachel Sobel is a writer of speculative and literary fiction about dykes and other queer people. She is the founding editor of boutique small press Homeward Books, and has an MFA in Fiction from Hunter College.

Hailey Spencer is, in the words of her wife Elizabeth, an absolute cloud of a girl. She is the author of the poetry collection Stories for When the Wolves Arrive. She lives and writes in Seattle, Washington.

Katherine E. Standefer is the author of Lightning Flowers: My Journey to Uncover the Cost of Saving a Life (Little, Brown Spark 2020), which was a finalist for the Kirkus Prize in Nonfiction, an NYT Book Review Editor’s Choice, and shortlisted for the J. Anthony Lukas Work-in-Progress Prize from Columbia Graduate School of Journalism and the Nieman Foundation for Journalism at Harvard University. Lightning Flowers was featured on NPR’s Fresh Air, on the goop podcast, and in O, The Oprah Magazine, and People Magazine. Standefer earned her MFA at the University of Arizona. Her writing appeared in The Best American Essays 2016 and won the 2015 Iowa Review Award in Nonfiction. Standefer was a 2018 Logan Nonfiction Fellow at the Carey Institute for Global Good and a 2017 Marion Weber Healing Arts Fellow at the Mesa Refuge. She currently lives in the Tetons. 

Website: www.KatherineStandefer.com

Social Media: @girlmakesfire

Emma Stockman is a Seattle-based writer and educator with an MFA in Fiction from the University of Oregon. In 2023, she moved to Seattle to pursue greater literary opportunities. She writes short fiction and is currently working on a novel.

Describe your teaching style.

I believe the best teachers are the ones who create the most spacious, curious, and playful containers out of their classrooms, no matter the subject. I strive to bring this philosophy to every class I teach, no matter the age or experience-level of my students. I do this by setting clear community guidelines at the beginning of class, and by fostering connections between students, so there's a collective sense of exploration and acceptance.

When it comes to teaching fiction more technically, I believe there is no one or best way to tell a story; the most successful art will be made out of spiritual and emotional alignment between the writer and the piece. Concepts of craft are often taught from an overly intellectualized and (predominantly white) academic perspective, but I aim to make literature feel approachable and accessible. It’s important to me that students learn to recognize elements of craft by their own reading experience, rather than by some external assessment of what’s “good.” If you can read by feel, you can learn to write that way, too.

Cara Stoddard holds an MFA from the University of Idaho and a BA from the College of Wooster. Their work has appeared in The Gettysburg Review, Terrain, and Ninth Letter, among others, and has been nominated for Pushcart. Learn more at Cara's website.

Describe your teaching style.

I promote and celebrate growth mindset in my students – that is students who see their own writing practice as one they are in the process of honing. I do not believe a good creative writer is someone with innate raw talent.

Greg Stump has been a regular contributor to The Stranger for more than a decade. He is the co-creator of the comic book series Urban Hipster, a former writer and editor for The Comics Journal, and the creator of the weekly alternative-newspaper comic Dwarf Attack. He teaches comics through a variety of schools and organizations in the Seattle area and recently completed his first graphic novel, Disillusioned Illusions.