Teachers

Mel Ruth is a poet, a professor, a mentor, and a student. Mel is currently a PhD candidate at Georgia State University where they major in Creative Writing with a Concentration in Poetry. Mel obtained their MFA from University of Central Arkansas, and their BFA from Salisbury University. Mel has numerous years of teaching experience, in including, but not limited to, First Year Writing, Dual College Enrollment Composition, Introduction to Creative Writing, Forms & Theory of Poetry, and American Literature. Mel’s chapbook, “A Name Among Bone,” was selected as the winner of the 2021 Cow Creek Chapbook prize, and is forthcoming from Emerald City Press in early 2022. Their chapbook was also listed as a semi-finalist in the Spring 2020 Black River Chapbook Contest through Black Lawrence Press. Mel was the 2018-2019 Oxford American Magazine Editorial Assistant Fellow, and their work has been selected as a finalist for the Slice Literary’s Bridging the Gap Award. Mel has poems featured in, in forthcoming from, Hawai’i Pacific Review, The Emerson Review, Red Earth Review, Sierra Nevada Review and more. Their reviews have been featured in Pleiades, New Pages, Entropy, and The Rumpus. On top of being a poet, Mel is also seeking representation for their LGBTQ+ Young Adult Novel, “Good Intentions.” For more information go to melruth.com or follow Mel on Twitter @_Mel_Ruth_.

Co-owner of Speculatively Queer, Jed Sabin is a jack-of-all-trades with professional experience as an editor, writer, scientist, project coordinator, and logistics manager. They were editor-in-chief of their college student newspaper, and they worked as an editor on the Maze of Games puzzle novel. Their writing has been published by Daily Science Fiction and Wired Magazine. Their hobbies include playing hockey, inventing weird cocktails, and maintaining a spreadsheet of over 600 queer movies.

Edward Sambrano III is a Latinx poet, critic, and educator from San Antonio, Texas. They received their MFA from the University of Florida, and have received scholarships from the Bread Loaf Writers' Conference and the New York State Summer Writers Institute. Their writing has appeared in Pleiades, Waxwing, The American Journal of Poetry, and elsewhere. They can be found on Twitter @SambranoPoet

Edward Sambrano III is a Latinx poet, critic, and educator from San Antonio, Texas. They received their MFA from the University of Florida, and have received scholarships from the Bread Loaf Writers' Conference and the New York State Summer Writers Institute. Their writing has appeared in Pleiades, Waxwing, The American Journal of Poetry, and elsewhere. They can be found on Twitter @SambranoPoet

Edward Sambrano III is a Latinx poet, critic, and educator from San Antonio, Texas. They received their MFA from the University of Florida, and have received scholarships from the Bread Loaf Writers' Conference and the New York State Summer Writers Institute. Their writing has appeared in Pleiades, Waxwing, The American Journal of Poetry, and elsewhere. They can be found on Twitter @SambranoPoet

Edward Sambrano III is a Latinx poet, critic, and educator from San Antonio, Texas. They received their MFA from the University of Florida, and have received scholarships from the Bread Loaf Writers' Conference and the New York State Summer Writers Institute. Their writing has appeared in Pleiades, Waxwing, The American Journal of Poetry, and elsewhere. They can be found on Twitter @SambranoPoet

Rana San is an intermedia artist, film festival curator, and video poetry educator with an interest in experimental modes of storytelling using analog media, stop motion, and direct animation. Rana co-directs Cadence Video Poetry Festival, an annual showcase of literary works presented as visual media. She is the Artistic Director at Northwest Film Forum and has recently presented work at SIFF (WA), Eugene Contemporary Art (OR), NYC Indie Theatre Film Festival (NY), and Experiments in Cinema (NM). ranasan.art

RAKESH SATYAL is an Executive Editor who specializes in serious narrative nonfiction, as well as literary fiction and fiction in translation. He acquires across all the HarperOne lists — HarperOne, Amistad, HarperVia, and HarperCollins Español. He held previous editorial positions at Atria/Simon & Schuster, Harper/HarperCollins, and Doubleday/Random House. He has acquired and edited many New York Times bestsellers, including Let Love Have the Last Word by Common, Resistance by Tori Amos, I Have Something to Tell You by Chasten Buttigieg, the Children of Eden series by Joey Graceffa, I Can't Date Jesus by Michael Arceneaux, Holding by Graham Norton, and Furious Love by Sam Kashner and Nancy Schoenberger. Other authors with whom he has worked include Michael Ausiello, Guy Branum, Terry Castle, Paolo Cognetti, Marcia Gay Harden, Daniel Lavery, Armistead Maupin, Janet Mock, and Jake Shears.

An award-winning novelist (No One Can Pronounce my Name and Blue Boy), Rakesh has taught in the publishing program at New York University and currently serves as Vice President of the board of Lambda Literary, the world's leading LGBTQ+ literary organization. He is based in New York.

Molly Schaeffer’s writing has appeared in The Recluse, Tagvverk, Prelude, and The Poetry Project Newsletter; her chapbook STATE ZAP* is published by MO(0)ON/IO. She works in writing and visual art, and teaches in Bard College's Language and Thinking Program and the Summer @Brown Pre-College Program. She holds an MFA in poetry from Brown University. For more information go to mollyschaeffer.com.

Describe your teaching style.

My teaching style is very discussion-focused and generative. We work together as a group (sometimes in partners/breakout rooms) to parse out meaning. I tend to pair readings with generative prompts. Oftentimes there will also be shorter in-class writing work, as well.

Hannah Schoettmer's poetry has appeared in venues like The Louisville Review, SOFTBLOW, Glass: A Journal of Poetry, ONE ART, and elsewhere. She's received a fellowship from Brooklyn Poets. Her debut chapbook, Body Panopticon (Bottlecap Features), was released in 2022.

Heidi Seaborn thought she’d grow up to be a writer. And eventually, she did. But first, she had a long global business career, raised three children, divorced, remarried, and then finally, in her late 50’s took a class at the Hugo House that helped launch her second act as a poet, essayist, and editor. Since 2016, Heidi’s authored two full-length collections of poetry, including PANK Books 2020 Poetry Award winner An Insomniac’s Slumber Party with Marilyn Monroe (2021), Give a Girl Chaos (C&R Press, 2019), and three chapbooks of poetry including the 2020 Comstock Review Prize Chapbook, Bite Marks (2021), as well as Finding My Way Home (Finishing Line Press, 2018) and Once a Diva (dancing girl press, 2021), as well as a poetic political pamphlet Body Politic (Mount Analogue Press, 2017). She’s won or been shortlisted for over two dozen awards. Her poetry and essays have recently appeared in American Poetry Journal, Beloit Poetry Journal, Best American Poetry, Brevity, Copper Nickel, The Cortland Review, The Financial Times, The Greensboro Review, The Missouri Review, The Slowdown, Tinderbox Poetry Journal, The Washington Post, and elsewhere. She is Executive Editor of The Adroit Journal and holds an MFA in Poetry from NYU and a BA from Stanford University. After living all over the world, she now resides in her hometown of Seattle.

Nicole Sealey was born in St. Thomas, US Virgin Islands, and raised in Apopka, Florida. She earned an MLA in Africana studies from the University of South Florida and an MFA in creative writing from New York University. Sealey is the author of the collections Ordinary Beast (2017), a finalist for the PEN Open Book and Hurston/Wright Legacy Awards, and The Animal After Whom Other Animals Are Named (2016), winner of the Drinking Gourd Chapbook Poetry Prize. Her other honors and awards include a 2019 Rome Prize, an Elizabeth George Foundation Grant, a Stanley Kunitz Memorial Prize, a Daniel Varoujan Award, and a Poetry International Prize. She has been a fellow at Cave Canem, the Poetry Project, the Bread Loaf Writers’ Conference, CantoMundo, and the MacDowell Colony. She is currently the executive director at Cave Canem, the 2018-2019 Doris Lippman Visiting Poet at The City College of New York, a visiting professor at Boston University, and a 2019-2020 Hodder Fellow at Princeton University.

Kascha Semonovitch’s poems and essays have appeared in journals including Quarterly West, The Bellingham Review, Zyzzyva, The Kenyon Review and others, and in the chapbook Genesis by Dancing Girl Press. She has a PhD in philosophy from Boston College, an MFA in poetry from Warren Wilson College. She has fellowships at the MacDowell Colony and the Ucross Foundation, and her creative nonfiction was recently nominated for a Pushcart Prize. Kascha has edited two collections of philosophical essays on early twentieth century European thought, and published academic essays, mostly recently Attention and Expression in Simone Weil. She has taught philosophy at Boston College, Seattle University, and Hugo House in Seattle. She runs an art gallery in Seattle. Teaching Philosophy: I believe that we learn by reading – whether the work of our classmates, contemporary authors or canonical works. The work of a teacher lies in asking –and re-asking –questions that motivate us to pay attention to these texts. In class, we think together by articulating our interpretations. When we reach a conflict of interpretation – “Oh, I thought Robert Hass was talking about beauty” or “I thought Descartes meant his elbow”– then we inquire into the reasons for the conflict. After such careful reading, we are ready to re-read our own writing. We are better at paying attention to what is happening in syntax and semantics. As a faculty member at Seattle University for over seven years, I taught the history of philosophy, critical thinking, and ethics. Philosophers pay attention to the history and internal consistency of systems and concepts. This type of paying attention is also invaluable to writers. For example, we might ask whether poet thought through the connections between the terms in a text and the deep history of texts that precede it? Does a fictional or poetic world hold together consistently? I love learning by reading with students.

Website: kaschasemonovitch.com

Monika Sengul-Jones (she/her), PhD, is an independent writer and scholar based in Seattle, WA, the traditional territories of the Coast Salish people. She has a doctorate in Communication and Science & Technology Studies and an MA in Gender Studies. She has taught at University of Washington, UC San Diego, and Central European University; she was the inaugural co-managing editor of Catalyst, a feminist technoscience journal. Her research and original reporting on technologies, civic media, and intersectional feminism have been supported by Art+Feminism, European Journalism Centre, OCLC, Knight Foundation, WikiCred, and Wikimedia Foundation. She is at work on a debut novel that takes on the geographies of pollution and inheritance of trauma. As an instructor, she encourages students to take risks by listening, following ideas, and naming the extraordinary in the ordinary.

Natalie Serianni is a Seattle-based writer and instructor with work at HuffPost, Insider, Motherwell, MSN/SheKnows, The Manifest-Station, Seattle's ParentMap, Today's Parent, and MuthaMagazine, among others. Her essay, "Subtle Shifts," was included in the 2021 anthology, "The Pandemic Midlife Crisis: Gen X Women on the Brink." She writes about grief and parenting (sometimes together), and has taught college writing for over twenty years. Connect with her on instagram @natserianni or at natalieserianni.com. 

Emily Sernaker is a writer and human-rights professional based in Brooklyn. Her work has appeared in the Sun, New York Times, Ms. Magazine, McSweeney’s, Los Angeles Review of Books, San Francisco Chronicle, Los Angeles Times, Rumpus, New Ohio Review and more. Over the last few years she has teamed up with Brooklyn Public Library to organize free, intergenerational, human-rights poetry programming, including Holding Space for Grief events, an Interfaith Poetry Reading, and Global Citizen poetry classes. She has worked as a staff member at the International Rescue Committee and New York Peace Institute and is currently an adjunct professor at the New School. Go to www.emilysernaker.com for more information or follow on social media @Emilysernaker.

Zain Shamoon is a professor of couple and family therapy at Antioch University Seattle. He hold his PhD in Human Development and Family Studies. He is the host and founder of the Narratives of Pain storytelling showcase.

Shama Shams is a Seattle writer, speaker, and nonprofit executive with an MA from Florida State University. Her memoir, She Called Me Throwaway (March 2024), details her journey from a challenging childhood to healing, and she is currently working on The Dreamers, a collection of immigrant stories about the American Dream. Shama also teaches at North Seattle College and Edmonds College while leading storytelling and nonprofit development workshops.

Shama Shams (Sanjukta) (is an author who lives in Dallas and Seattle. She plans to fully relocate to Seattle in May 2022 after her daughter graduates from High School. She holds a Master’s in Religion with an emphasis on Islam from Florida State University. Excerpts of her memoir were published in Palooka, A Journal of Underdog Excellence; Transformation, A Journal of Literature, Ideas & the Arts; Fiction Fix; and Mandala Literary Journal. She was a finalist for Black Warrior Review and her book proposal, as well as four of her essays, were selected by Mayborn Literary Nonfiction Conference hosted by University of North Texas. In front of a live sold-out audience at the Dallas Museum of Arts and the AT&T Performing Arts Center, she read excerpts from her memoir which can be found on the YouTube channel titled: Oral Fixation (An Obsession with True Life Tales)’s Lost in Translation, Elephant in the Room, and Old School. In addition, she read excerpts from her memoir at Truth in Comedy, a show featuring nonfiction writers. Shama works as the Director of Philanthropy and Marketing for Real Escape from the Sex Trade (REST), a Seattle-based nonprofit serving victims and survivors of sex trade and sex trafficking. During her spare time, she loves to write, paint, hike, and travel.

Radhika Sharma is the author of Parikrama: A Collection of Short Stories and Mangoes for Monkeys: A Novel. Radhika received her MFA from the San Francisco State University. Her byline has appeared in several newspapers and magazines including The San Francisco Chronicle, The San Jose Mercury News, India Currents, Tri City Voice, and others. She is currently at work on a novel and a collection of essays.

Nisi Shawl (they/them) is the multiple award-winning author and editor of over a dozen books of speculative fiction and related nonfiction, including the Nebula Award finalist novel Everfair; the standard text on inclusive representation, Writing the Other; and the first two volumes of the New Suns anthology series. Their most recent publication is the middle grade historical fantasy novel Speculation, which Lee & Low published in January 2023. They’ve taught and spoken at Duke University, Spelman College, Stanford University, Sarah Lawrence College, and many other institutions. Once upon a time, they conducted a filmed, onstage interview with Octavia E. Butler.

Gina Siciliano is an artist, writer, historian, and bookseller living in Seattle, WA. Her award-winning graphic novel I Know What I Am: The Life and Times of Artemisia Gentileschi was published by Fantagraphics in 2019.

Cedar Sigo was raised on the Suquamish Reservation in the Pacific Northwest and studied at The Jack Kerouac School of Disembodied Poetics at the Naropa Institute. He is the author of eight books and pamphlets of poetry, including All This Time (Wave Books, 2021), Stranger in Town (City Lights, 2010), Expensive Magic (House Press, 2008), two editions of Selected Writings (Ugly Duckling Press, 2003 and 2005) and most recently the Bagley Wright Lecture Series book Guard the Mysteries (Wave Books, 2021). He has taught workshops at St. Mary’s College, Naropa University and University Press Books. He is currently a mentor in the low residency MFA program at The Institute of American Indian Arts. He lives in Lofall, Washington.

Darina (Dasha) Sikmashvili was born in Lubny, Ukraine, and raised in Brooklyn, New York. She received her MFA in fiction from the University of Michigan and has been working in film production for over a decade.