Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Simon Wolf has his MFA in Creative Writing and Poetics from the University of Washington Bothell. His work has been published with Leveler Poetry, featured in 'Coastal Poets – A Reading and Film Festival,' Clamor Journal, and is forthcoming in Inkwell. Check out more of Simon on Instagram @simon_sayspoems.
Deborah Woodard holds an MFA from the University of California, Irvine, and a PhD from the University of Washington. She is the author of Platoâs Bad Horse (Bear Star Press, 2006), Borrowed Tales (Stockport Flats, 2012), and No Finis: Triangle Testimonies, 1911 (Ravenna Press, 2018). Her chapbook Hunter Mnemonics (hemel press, 2008) was illustrated by artist Heide Hinrichs. She has translated Amelia Rosselli with Giuseppe Leporace in The Dragonfly: A Selection of Poems: 1953 â 1981 (Chelsea Editions, 2009) and with Roberta Antognini in Hospital Series (New Directions, 2015) and Obtuse Diary (Entre RĂos Books, 2018). Woodard teaches at Hugo House in Seattle and co-curates the reading series Margin Shift.
Iâm the author of a stack of grammar books (English Grammar For Dummies, Websterâs New World Punctuation: Simplified and Applied, and more) and an educator with four decades of experience teaching every level of English from 5th grade through AP. My most recent books, 25 Great Sentences and How They Got That Way (Norton, 2020) and Sentence. A Period-to-Period Guide to Building Better Readers and Writers (Norton, 2021), explore the techniques authors use to make their writing more effective. My only remotely cool moment came when I was interviewed by a reporter from MTV about the decision by âPanic! At the Discoâ to drop their exclamation point.
Carolyne Wrightâs new book is Masquerade, a memoir in poetry (Lost Horse Press, 2021). Previous books include This Dream the World: New & Selected Poems (Lost Horse, 2017), whose title poem won a Pushcart Prize and also appeared in The Best American Poetry 2009; and the anthology, Raising Lilly Ledbetter: Women Poets Occupy the Workspace (Lost Horse, 2015), which received ten Pushcart Prize nominations. Carolyne has also received NEA and 4Culture grants, and a Fulbright U.S. Scholar Award. Visit https://carolynewright.wordpress.com for more information.
Quetzalli brings over a decade of tech and writing expertise. Dedicated to creating educational content that demystifies technology, she's also the published author of "Docs-as-Ecosystem: The Community Approach to Engineering Documentation."
Becca Yenser is author of Bang the Dream (Selcouth Station Press, 2021), The Grief Lottery (forthcoming, ELJ Editions, 2022), and A Constellation of Wounds (forthcoming, Bone and Ink Press, 2022). Their semi-autobiographical novella, The Ms. Pac Man Chronicles, won the Daily Drunk Magâs 2021 novella chapbook contest. More fiction, poetry, and nonfiction appear in Hobart, Bending Genres, Tiny Molecules, Heavy Feather Review, Susan, Ink Node, Fanzine, Superfroot Magazine, and X-Ray Literary Journal. Yenser is the recipient of the 2021 Reflex International Flash Fiction Contest. They were awarded Honorable Mention for the Masters Review 2021 Chapbook Contest, the Toasted Cheese Dead of Winter Horror Fiction Contest (2021), and the Waxing and Waning Prose Award (2021). Yenser earned an MFA at Wichita State University, where they studied fiction and poetry and were named Fiction Fellow. They worked as an award-winning reporter and arts and culture writer for WSUâs student-run paper, The Sunflower. Yenser also served as fiction editor and co-Editor-in-Chief of Mikrokosmos Literary Journal. The poet Jessica Q. Stark (author of Savage Pageant and editor of AGNI), commented, "Becca Yenserâs Bang the Dream is a revving engine, a clandestine swig under black sky, a series of torn portraits in which everyone feels a little bit haunted." The writer Kevin Maloney (Cult of Loretta), reviewing Bang the Dream, remarks, "Like the best of Lucia Berlin or Denis Johnson, Becca Yenser paints broken people against ecstatic landscapes: grievers moon-gazing in Ireland, junkies nodding off next to a Kansas River, an Albuquerque drug dealer fly fishing with the pink Sandias looming in the distance." Yenser was born in Iowa, raised in Oregon, and currently resides in New Mexico.
Website: www.inknode.com/beccayenser
Twitter: @beccayenser
Instagram: @beccayenser
Wancy Young Cho is a Pushcart Prize nominee and appears in the New Orleans Review, NBCâs THINK, The Stranger, and Salon. He holds an MFA from Columbia University, Columbia Scholastic Press Association Gold Circle Award, and Written Image Screenwriting Award.
John Yunker writes plays, short stories, and novels. He is the author of the novel The Tourist Trail; editor of the Among Animals fiction series and a nonfiction anthology, Writing for Animals; and his plays have been produced or staged at such venues as the Oregon Contemporary Theatre, the Source Festival, the Centre Stage New Play Festival, and Association for Theatre in Higher Education conference. His teleplay Sanctuary was performed at the 2017 Compassion Arts Festival in New York, and his short stories have been published in Phoebe, Qu, Flyway, Antennae, and other journals. He is co-author, with Midge Raymond, of the mystery novel Devils Island.
I am a nonbinary writer and musician from Chicago. I have an MFA in Poetry from Columbia College Chicago. I was the recipient of the 2022 Elieen Lannan Academy of American Poets Prize. I'm trying not to miss it all.
Website: noahpzanella.wixsite.com/my-site
LinkedIn: Noah Zanella
Describe your teaching style!
My focus is always on generating work. No matter how far we get into the intellectual or the abstract, my approach is primarily concerned with the development of writing practices (what actually happens, day to day, as we show up to the pageâhow does the work get made?). There is also an emphasis on the training of oneâs attention as being a part of the craft of writing. Henry Jamesâs advice to writers: try to become one of those upon whom nothing is lost.
A 2015-16 Howard Foundation Fellow in Poetry, Andrew Zawacki is the author of five poetry books: Unsun : f/11 (Coach House, 2019); Videotape (Counterpath, 2013); Petals of Zero Petals of One (Talisman House,
2009); Anabranch (Wesleyan, 2004); and By Reason of Breakings (Georgia,
2002). A former Rhodes Scholar and Fulbright Scholar, he earned his doctorate from the Committee on Social Thought at the University of Chicago.
Zawacki has also published four books in France: Sonnetssonnants, translated by Anne Portugal; Georgia and Carnet Bartleby, both translated by Sika Fakambi; and Par Raison de brisants, translated by Antoine CazĂ© and a finalist for the Prix Nelly Sachs. Anabranche, translated by Sika Fakambi, is forthcoming from Ăditions GrĂšges.
His chapbook Georgia was co-winner of the 1913 Prize, while Masquerade won the Alice Fay DiCastagnola Award from the Poetry Society of America. Arrowâs shadow was issued by Equipage in the UK, and Kaeshi-waza was published in Canada by The Elephants. More recently, Sonnensonnets appeared from Tammy, Waterfall plot from Greying Ghost.
His work has appeared in Poems for Political Disaster, Legitimate Dangers:
American Poets of the New Century, The Iowa Anthology of New American
Poetries, Great American Prose Poems, The Eloquent Poem, and other
anthologies, as well as magazines such as The New Yorker, The Nation,
and The New Republic.
A past fellow of the Slovenian Writersâ Association, Zawacki edited Afterwards (White Pine, 1999), an anthology of postwar Slovenian poetry, fiction, and non-fiction, in addition to editing and co-translating AleĆĄ Debeljakâs new and selected poems, Without Anesthesia (Persea, 2011), assisted by a Slovenian Ministry of Culture Translation Grant. His translations of two poetry books by SĂ©bastien Smirou, See About (La Presse / Fence, 2017) and My Lorenzo (Burning Deck, 2012), have earned him a National Endowment for the Arts Translation Fellowship, a French Voices Grant, and a grant from the Centre National du Livre.
He coedited the late expatriate writer Gustaf Sobinâs collected poems and serves as co-executor of Sobinâs literary estate. Zawacki has published criticism in the TLS, Boston Review, Chicago Review, How2, Jacket2, New German Critique, and elsewhere. He has held fellowships from the Salzburg Seminar, the Bogliasco Foundation, la RĂ©sidence Internationale aux RĂ©collets, le CollĂšge International des Traducteurs LittĂ©raires, Hawthornden Castle, Le ChĂąteau de Lavigny, and the Millay Colony, Saltonstall Foundation, and Bread Loaf.
Amy Zhang is the author of Falling Into Place, This Is Where The World Ends, and The Cartographers (HarperCollins). Her fiction has been recognized by the Indies Next List and received starred reviews from Booklist and VOYA, among other honors, and translated into five languages. Her poetry collection, Small Birds, Blue Bellies, was the recipient of the Rosenfeld Chapbook prize; select poems won the Hansmann Poetry Prize through the American Academy of Poets.