Teachers

Susan Briante is the author most recently of Defacing the Monument (Noemi Press 2020), a series of essays on immigration, archives, aesthetics and the state, winner of the Poetry Foundation’s Pegasus Award for Poetry Criticism in 2021. In a starred review, Publisher’s Weekly calls the collection “a superb examination of the ethical issues facing artists who tell others’ stories” and a “dazzlingly inventive and searching text.” 

Briante’s collection of poetry The Market Wonders (Ahsahta Press) was a finalist for the National Poetry Series. The Kenyon Review calls it “masterful at every turn.” The collection was recently translated into Spanish by the poet Giancarlo Huapaya and published under the title El Mercado se pregunta by Kriller71 (Madrid). Briante is also the author of the poetry collections Pioneers in the Study of Motion and Utopia Minus (an Academy of American Poets Notable Book of 2011. Of Utopia Minus, Publisher’s Weekly declared: “this book finds an urgent language for the world in which we live.”

She has received grants and awards from the Atlantic Monthly, the MacDowell Colony, the Academy of American Poets, the US-Mexico Fund for Culture, and (most recently) the Ucross Foundation. Recent work has appeared in the Virginia Quarterly Review, The Best American Poetry (2021) and The Brooklyn Rail. She is a professor of English in the creative writing program at the University of Arizona. There she serves as co-coordinator of the Southwest Field Studies in Writing Program, which brings MFA students to the US-Mexico border to engage in reciprocal research projects with community-based environmental and social justice groups. She is also a member of the Detained project, a team of artists, scholars and activists who record and archive the oral histories of formerly detained migrants and asylum seekers.

Marci Calabretta Cancio-Bello is the author of Hour of the Ox (University of Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She and E.J. Koh co-translated Yi Won’s The World’s Lightest Motorcycle (Zephyr Press, 2021). Cancio-Bello has received fellowships from the National Endowment for the Arts, Kundiman, the Knight Foundation, and the American Literary Translators Association, and her work has appeared in Best Small Fictions, Kenyon Review Online, The New York Times, and more. She is co-director for the Adoptee Literary Festival and PEN America Miami/South Florida Chapter, and a program coordinator for Miami Book Fair. www.marcicalabretta.com

With a BA in English, an MA in German, and an MFA in Creative Writing, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Washington DC, Oregon, Ohio, New York, Germany and Austria. She currently lives in Seattle, WA.

She's proud to be on the current roster for the Humanities Washington Speakers Bureau, and is a mentor the the 19th season of AWP's Writer to Writer Mentorship Program. She's the recipient of the following awards from the DC Commission on the Arts and Humanities: the 2016 Larry Neal Writers' Award in Adult Fiction, the 2016 Mayor's Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022. She is also a 2017 Kimbilio Fellow and winner of the 2018 Robert Gover Story Prize.

Tara earned her MFA from American University in 2019, and is a fiction editor at Barrelhouse. She teaches creative writing with venues such as American University, Johns Hopkins University, Hugo House, Clarion West, the Writer's Center, Politics and Prose, Catapult, and the National Gallery of Art's Virtual Studio.

Follow her on: Twitter: @TaraCampbellCom or Instagram: @thetreevolution or Bluesky: @taracampbell.bsky.social or Mastodon: @TaraCampbell@writing.exchange or Facebook: CampbellTaraP

Sarah Campbell is a content curator who leads exploratory workshops anchored in humanities artifacts. She has worked for PwC, Microsoft, McKinsey, and ?What If!, and taught at the University of Luxembourg and SUNY Buffalo, where she earned her English Ph.D.

Kate Carmody is a recipient of a CINTAS Foundations grant supporting artists born in Cuba or of Cuban descent. Her work has been published or is forthcoming in Potomac Review, Essay Daily, No Contact, Los Angeles Review, The Journal of Compressed Creative Arts, and Lunch Ticket, among others. She received her MFA from Antioch University in Los Angeles. While pursuing her MFA in creative nonfiction, she worked as a blogger, assistant blog editor, and the assistant lead editor for the youth spotlight series at Lunch Ticket. In addition to teaching at Hugo House, she teaches writing through the Loft Literary Center, Austin Bat Cave, and Antioch’s Continuing Education Program. In 2012, she received the Facing History and Ourselves Margot Stern Strom Teaching Award and in 2017, was selected by Facing History and Ourselves to participate in a Bill and Melinda Gates Foundation grant-funded study to assess if peer-led professional development can improve teachers’ instruction of literacy standards. She lives in Denver, Colorado with her husband and dog. The three of them are in a band called Dadafacer.

Bill Carty is the author of Huge Cloudy (Octopus Books, 2019), which was long-listed for The Believer Book Award, and We Sailed on the Lake, published by Bunny Presse/Fonograf Editions in 2023. He has received poetry fellowships from the Fine Arts Work Center in Provincetown, Artist Trust, Hugo House, and Jack Straw Cultural Center. He was awarded the Emily Dickinson Award from the Poetry Society of America, and his poems have appeared in the jubilat, Best American Poetry, Denver Quarterly, Iterant, Paperbag, The Kenyon Review, 32 Poems, and other journals. Originally from Maine, Bill now lives in Seattle, where he is Senior Editor at Poetry Northwest. He teaches at Hugo House, the UW Robinson Center for Young Scholars, and Edmonds College.

Claudia Castro Luna is the author of Cipota Under the Moon (Tia Chucha Press, 2022); One River, A Thousand Voices (Chin Music Press, 2020 & 2022); Killing Marías (Two Sylvias, 2017) finalist for the WA State Book Award 2018, and the chapbook This City (Floating Bridge, 2016). She served as Washington’s State Poet Laureate (2018-2021) and as Seattle's inaugural Civic Poet (2015-2017). She was named Academy of American Poets Laureate Fellow in 2019. Her most recent non-fiction is in There’s a Revolution Outside, My Love: Letters from a Crisis (Vintage). Born in El Salvador, Castro Luna came to the United States in 1981. Living in English and Spanish, she writes and teaches in Seattle on unceded Duwamish lands where she gardens and keeps chickens with her husband and their three children. 

Mayur Chauhan is an L.A-based immigrant, writer, actor, and comedian, originally from Delhi. Mayur is a Key West Literary Seminar and Bread Loaf scholar. His humor pieces have been published in McSweeney’s and many other publications.

Describe your teaching style.

My coaching is writer-centered and engaging. I encourage the participants to become more confident in their voice and their work while staying open to suggestions. If there's one thing I'd repeat at least 589 times in class is "You are the final decision maker."

I believe self-care and playfulness are as important as craft and marketplace. Also, I love to meet everyone's pets via Zoom.

Chen Chen is the author of When I Grow Up I Want to Be a List of Further Possibilities, which won the A. Poulin Jr. Poetry Prize, Thom Gunn Award for Gay Poetry, and the GLCA New Writers Award. Longlisted for the National Book Award, When I Grow Up I Want to Be a List of Further Possibilities was also a finalist for the Lambda Literary Award for Gay Poetry, and was named one of the best of 2017 by The Brooklyn Rail, Entropy, Library Journal, and others. About the collection, Stephanie Burt says,“As Chen’s younger self had to escape from constricting familial expectations (become a lawyer, marry a woman, buy a house), the adult writer has to escape from the constrictions of autobiography, into hyperbole, stand-up comedy, fairy tale, twisted pastoral. It’s easy to imagine a young reader seeing himself here as he had not seen himself in poems before.” He is also the author of two chapbooks, Set the Garden on Fire (Porkbelly Press, 2015) and Kissing the Sphinx (Two of Cups Press, 2016).

In an interview with NPR, Chen explained, ““I felt like I couldn’t be Chinese and American and gay all at the same time. I felt like the world I was in was telling me that these had to be very separate things.” As someone who was struggling with his sexuality and thinking about identity— with immigrant parents and wondering how to come out, “Poems were a way for those different experiences to come together, for them to be in the same room.”

His work has appeared in many publications, including Poetry, Tin House, Poem-a-Day, The Best American Poetry, Bettering American Poetry, and The Best American Nonrequired Reading. Recently, his work has been translated into French, Greek, Spanish, and Russian. Poets & Writers Magazine featured him in their Inspiration Issue as one of “Ten Poets Who Will Change the World.” He has received fellowships from Kundiman, Lambda Literary, and the Saltonstall Foundation.

Chen earned his MFA from Syracuse University and is pursuing a PhD in English and Creative Writing as an off-site Texas Tech University student. He lives in frequently snowy Rochester, NY with his partner, Jeff Gilbert and their pug dog, Mr. Rupert Giles.

Chen is the 2018-2020 Jacob Ziskind Poet-in-Residence at Brandeis University.

Joyce Chen is a writer, editor, and community builder who draws inspiration from many coastal cities. She has covered entertainment and human interest stories for Rolling Stone, Architectural Digest, Elle, Refinery29, the New York Daily News, and People, among others, and her creative writing credits include Poets & Writers, Lit Hub, Narratively, and Slant’d, among others. She has contributed op-eds to Paste magazine, and writes book reviews for Orion and Hyphen magazines. In 2022, she co-edited the anthology Uncertain Girls in Uncertain Times, a collection of poetry paired with essays and life lessons. She is a proud VONA alum and was a 2019-2020 Hugo House fellow. She is also the executive director of The Seventh Wave, an arts and literary nonprofit that champions art in the space of social issues.

Olivia Cheng is an MFA student in fiction at the University of Michigan. Her fiction has appeared in The Boston Review and The Georgia Review. Her other work has appeared in Electric Literature and Ploughshares Blog.

Wancy Young Cho is a Pushcart Prize nominee and appears in the New Orleans Review, NBC’s THINK, The Stranger, and Salon. He holds an MFA from Columbia University, Columbia Scholastic Press Association Gold Circle Award, and Written Image Screenwriting Award.

Ansley is the author of Bloodline (MoonPath Press 2024) and the chapbook Geography (dancing girl press 2015). Her poems have appeared in Poetry Northwest, Colorado Review, Bennington Review, and elsewhere. She is the director of the Writing Center at The Evergreen State College and teaches composition, rhetoric, and creative writing classes at various organizations around the Pacific Northwest. She currently lives in Olympia, Washington.

Tara Conklin is a writer and former lawyer whose first novel, The House Girl, (William Morrow) was a New York Times bestseller, #1 IndieNext pick, Target book club pick and has been translated into 8 languages. Her second novel, The Last Romantics (William Morrow) was published in 2019 to wide acclaim. An instant New York Times bestseller, The Last Romantics was a Barnes & Noble Book Club Pick, IndieNext Pick, and was selected by Jenna Bush Hager as the inaugural read for The Today Show Book Club. Her latest novel Community Board is out now and available in stores and online in all the usual places. The recipient of an Artist Trust grant, her writing has appeared in Vogue, the Berkshire Eagle and elsewhere. 

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Before turning to fiction, Tara worked for an international human rights organization and at corporate law firms in London and New York. She was born in St. Croix, US Virgin Islands and grew up in western Massachusetts. She holds a BA in history from Yale University, a JD from NYU School of Law and a Master of Law and Diplomacy from the Fletcher School at Tufts University. Tara now lives in Seattle with her family where she writes, teaches at Hugo House and works with private clients on manuscript development. 

Corinna Cook is the author of Leavetakings, an essay collection (University of Alaska Press 2020). She is a former Fulbright Fellow, an Alaska Literary Award recipient, and a Rasmuson Foundation awardee. Corinna’s creative work appears in Flyway, Alaska Quarterly Review, Alaska Magazine, Brink, and elsewhere; her journalism appears in Yukon North of Ordinary and GlacierHub; her critical articles appear in Assay, New Writing, and Essay Daily; and she writes about teaching for Pedagogy and American Literary Studies. Corinna holds a PhD in English and Creative Writing from the University of Missouri. More at corinnacook.com.

Kristi Coulter is author of Nothing Good Can Come From This and the forthcoming Exit Interview. Her work appears in The Paris Review, New York Magazine, Elle, and elsewhere. She has taught at Hugo House and the University of Washington. Go to www.kristicoulter.com for more information.

Social Media: @KristiCCCoulter (Twitter and Instagram) 

Sarah Dalton is a Latina writer, editor, and teacher. She is an alumna of VONA, Macondo, and San Jose State. Her nonfiction has appeared in [pank], MUTHA Magazine, Reed, River Teeth's Beautiful Things, and The Sun's Readers Write.

Kimberly Dark is the author of Fat, Pretty, and Soon to be Old, The Daddies, Love and Errors, and Damaged Like Me. Her essays, stories, and poetry are widely published in academic and popular online publications alike. Visit www.kimberlydark.com for more information.

April Dávila is an award-winning author and certified mindfulness instructor. Writer's Digest listed her blog (at aprildavila.com) as one of their Best 101 Websites for Writers. She is the co-founder of A Very Important Meeting (averyimportantmeeting.com). She is a practicing Buddhist, half-hearted gardener, and occasional runner.

Lauren Davis is the author of The Milk of Dead Mothers (YesYes Books, forthcoming), and the poetry collections Home Beneath the Church (Fernwood Press) and When I Drowned (Aldrich Press). She holds an MFA from the Bennington College Writing Seminars.

Holly Day has worked as a freelance writer for over 30 years, with over 7,000 articles, poems, and short stories published internationally, including in Analog SF, Harvard Review, and Maintenant. She has had several dozen books and chapbooks published by both major and independent publishers, most recently, the nonfiction books, Music Theory for Dummies, Music Composition for Dummies, Tattoo FAQ, and History Lover’s Guide to Minneapolis; and the poetry books, A Book of Beasts, The Tooth is the Largest Organ in the Human Body, Bound in Ice, and Cross-Referencing a Book of Summer. Her writing has been nominated for a National Magazine Award, a 49th Parallel Prize, an Isaac Asimov Award, multiple Pushcart awards, and a Rhysling Award, and she has received two Midwest Writer’s Grants, a Plainsongs Award, the Sam Ragan Prize for Poetry, and the Dwarf Star Award from the Science Fiction Poetry Association.

Describe your teaching style.

My goal is for students to feel comfortable exploring the process of writing and making themselves happy with their writing, and not worry about making _me_ or anyone else happy with their writing. I try to help students find their own voice during the writing process.

Tamara Dean is passionate about helping writers tell their stories. Her work has appeared in The American Scholar, Creative Nonfiction, The Guardian, Orion, Seneca Review, The Southern Review, and elsewhere. She's also the author of The Human-Powered Home. More at www.tamaradean.media

Writer and writing coach Stephanie Dethlefs helps people get their stories onto the page with ease and self-compassion. She is the author of the middle grade novel Unspoken, and her writing can be found in a variety of publications.