Teachers

Melody Wilson's work appears in The Shore, Quartet, and Briar Cliff Review. New work will appear in Sugar House Review, Re Dactions, Nimrod and The Fiddlehead. She received the 2021 Kay Snow Award and Semi-Finalist for the Pablo Neruda Award. For more information go to melodywilson.com.

L. Lamar Wilson is the author of Sacrilegion (Carolina Wren Press, 2013), a Thom Gunn Award finalist; co-author of Prime: Poetry and Conversation (Sibling Rivalry Press, 2014); and associate producer of The Changing Same (POV Shorts, 2019), which streams at American Documentary and airs on PBS. Recent poems and essays have been have appeared at Callaloo, Poetry, Poem-a-Day, The New York Times, Interim, TriQuarterly, NPR, Oxford American, The Root, south, The Washington Post, and elsewhere. Wilson, who spent nearly two decades in the nation’s top newsrooms, including the Times and the Post, has received fellowships from the Cave Canem, Civitella Ranieri, Ragdale, and Hurston-Wright foundations, is an Affrilachian Poet, and teaches creative writing, African American poetics, and film studies at Florida State University and The Mississippi University for Women.

Rita Wirkala is an award-winning Argentine writer and educator living in Seattle. After years of academic writing and teaching at the University of Washington, she now writes novels, short stories, children's poetry, and literary reviews, and works with emerging writers teaching classes and creative writing workshops. Her work has been published in Spain, Argentina, and the United States and has won praise from major Spanish-language newspapers. She holds a PhD in Spanish Literature.

Emily Wolahan (she/her) is the author of the poetry collection Hinge (NPRP 2015). Her poems have appeared in Puerto del Sol, Sixth Finch, Georgia Review, and Oversound, among other places. She holds an MFA from Columbia University and is currently pursuing a Ph.D. in Anthropology and Social Change (CIIS). She has been an editor at Two Lines Press and Jerry Magazine and is currently a Poetry Editor at Tinderbox Poetry Journal. www.emilywolahan.com

Simon Wolf has his MFA in Creative Writing and Poetics from the University of Washington Bothell. His work has been published with Leveler Poetry, featured in 'Coastal Poets – A Reading and Film Festival,' Clamor Journal, and is forthcoming in Inkwell. Check out more of Simon on Instagram @simonsayspoems.

Shawn Wong is the author of the novels Homebase and American Knees and an editor of several anthologies of Asian American literature, including Aiiieeeee! (all available from the University of Washington Press). He is a professor of English at the University of Washington, Seattle. Peter Bacho's memoir is the third book in the Shawn Wong Books/University of Washington Press series that includes Eat a Bowl of Tea by Louis Chu and Awake in the River and Shedding Silence by Janice Mirikitani.

Jane Wong is the author of How to Not Be Afraid of Everything (Alice James, 2021) and Overpour (Action Books, 2016). A Kundiman fellow, she is the recipient of a Pushcart Prize and fellowships and residencies from Harvard's Woodberry Poetry Room, the U.S. Fulbright Program, Artist Trust, Hedgebrook, Willapa Bay, the Jentel Foundation, and others. Her debut memoir, Meet Me Tonight in Atlantic City, is forthcoming from Tin House. She is an Associate Professor of Creative Writing at Western Washington University. Her poetry art installations have been shown at the Frye Art Museum and the Richmond Art Gallery.

Deborah Woodard holds an MFA from the University of California, Irvine, and a PhD from the University of Washington. She is the author of Plato’s Bad Horse (Bear Star Press, 2006), Borrowed Tales (Stockport Flats, 2012), and No Finis: Triangle Testimonies, 1911 (Ravenna Press, 2018). Her chapbook Hunter Mnemonics (hemel press, 2008) was illustrated by artist Heide Hinrichs. She has translated Amelia Rosselli with Giuseppe Leporace in The Dragonfly: A Selection of Poems: 1953 – 1981 (Chelsea Editions, 2009) and with Roberta Antognini in Hospital Series (New Directions, 2015) and Obtuse Diary (Entre Ríos Books, 2018). Woodard teaches at Hugo House in Seattle and co-curates the reading series Margin Shift.

I’m the author of a stack of grammar books (English Grammar For Dummies, Webster’s New World Punctuation: Simplified and Applied, and more) and an educator with four decades of experience teaching every level of English from 5th grade through AP. My most recent books, 25 Great Sentences and How They Got That Way (Norton, 2020) and Sentence. A Period-to-Period Guide to Building Better Readers and Writers (Norton, 2021), explore the techniques authors use to make their writing more effective. My only remotely cool moment came when I was interviewed by a reporter from MTV about the decision by “Panic! At the Disco” to drop their exclamation point.

Carolyne Wright’s new book is Masquerade, a memoir in poetry (Lost Horse Press, 2021). Previous books include This Dream the World: New & Selected Poems (Lost Horse, 2017), whose title poem won a Pushcart Prize and also appeared in The Best American Poetry 2009; and the anthology, Raising Lilly Ledbetter: Women Poets Occupy the Workspace (Lost Horse, 2015), which received ten Pushcart Prize nominations. Carolyne has also received NEA and 4Culture grants, and a Fulbright U.S. Scholar Award. Visit https://carolynewright.wordpress.com for more information.

Valentine Wulf is a seventeen-year-old artist, writer, and puppeteer whose work combines the pastel kitsch of Americana with the comically macabre.