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“Williams demonstrates an astounding technical mastery of poetic forms that goes far beyond form for form’s sake, as he repeats, reconfigures, and recontextualizes words and phrases in order to create continuity and multifaceted meanings.” ―Muzzle Magazine

“Williams sings for the vanished, for the haunted, for the tortured, for the lost, for the place on the horizon where the little boat of the human body disappears in a wingdom of unending grace.” ―The Best American Poetry

“To experience Williams’ poetry is to encounter a lucid, unmitigated humanity, a voice for whom language is inadequate, yet necessarily grasped, shaped, and consumed.” ―Rachel Eliza Griffiths

Phillip B. Williams is the author of Mutiny (Penguin Random House, 2021), and Thief in the Interior (Alice James Books, 2016), winner of the 2017 Kate Tufts Discovery Award and a 2017 Lambda Literary award. He is also the author of the chapbooks Bruised Gospels (Arts in Bloom Inc., 2011) and Burn (YesYes Books, 2013).

His forthcoming collection Mutiny is a rebellion, a subversion, an onslaught. In poems that rebuke classical mythos and western canonical figures, and embrace Afro-Diasporanfolk and spiritual imagery, Williams conjures the hell of being erased, exploited, and ill-imagined and then, through a force and generosity of vision, propels himself into life, selfhood, and a path forward. Intimate, bold, and sonically mesmerizing, Mutiny addresses loneliness, desire, doubt, memory, and the borderline between beauty and tragedy.

In his debut collection Thief in the Interior, Williams investigates the dangers of desire, balancing narratives of addiction, murders, and hate crimes with passionate, uncompromising depth. Formal poems entrenched in urban landscapes crack open dialogues of racism and homophobia rampant in our culture. Multitudinous voices explore one’s ability to harm and be harmed, which uniquely juxtaposes the capacity to revel in both experiences.

Of Thief in the Interior, Los Angeles Book Review noted, “The seasoned reader of poetry will be impressed that Thief in the Interior is Phillip B. Williams’s first collection. His control of the line is masterful, and his syntax eschews, for the most part, direct or simple delivery of language, creating a formal and solemn tone that scores the emotional pitches of the book.” Author Adrian Matejka notes, “Williams’s poems embody balance: uncompromising and magnetic, surprising and intuitive. Need is everywhere―in the unforgiving images, in lines so delicate they seem to break apart in the hands, and in the reader who will enter these poems and never want to leave.”

Williams’s work has appeared or is forthcoming in Boston Review, Callaloo, Kenyon Review, The New Republic, The New Yorker, and others. He is the recipient of a 2020 creative writing grant from the National Endowment for the Arts, a 2017 Whiting Award, and a 2013 Ruth Lilly Fellowship. He serves as a faculty member at Bennington College and Randolph College low-res MFA.

L. Lamar Wilson is the author of Sacrilegion (Carolina Wren Press, 2013), a Thom Gunn Award finalist; co-author of Prime: Poetry and Conversation (Sibling Rivalry Press, 2014); and associate producer of The Changing Same (POV Shorts, 2019), which streams at American Documentary and airs on PBS. Recent poems and essays have been have appeared at Callaloo, Poetry, Poem-a-Day, The New York Times, Interim, TriQuarterly, NPR, Oxford American, The Root, south, The Washington Post, and elsewhere. Wilson, who spent nearly two decades in the nation’s top newsrooms, including the Times and the Post, has received fellowships from the Cave Canem, Civitella Ranieri, Ragdale, and Hurston-Wright foundations, is an Affrilachian Poet, and teaches creative writing, African American poetics, and film studies at Florida State University and The Mississippi University for Women..

Melody Wilson's work appears in The Shore, Quartet, and Briar Cliff Review. New work will appear in Sugar House Review, Re Dactions, Nimrod and The Fiddlehead. She received the 2021 Kay Snow Award and Semi-Finalist for the Pablo Neruda Award. For more information go to melodywilson.com.

Rita Wirkala is an award-winning Argentine writer and educator living in Seattle. After years of academic writing and teaching at the University of Washington, she now writes novels, short stories, children's poetry, and literary reviews, and works with emerging writers teaching classes and creative writing workshops. Her work has been published in Spain, Argentina, and the United States and has won praise from major Spanish-language newspapers. She holds a PhD in Spanish Literature.

Emily Wolahan (she/her) is the author of the poetry collection Hinge (NPRP 2015). Her poems have appeared in Puerto del Sol, Sixth Finch, Georgia Review, and Oversound, among other places. She holds an MFA from Columbia University and is currently pursuing a Ph.D. in Anthropology and Social Change (CIIS). She has been an editor at Two Lines Press and Jerry Magazine and is currently a Poetry Editor at Tinderbox Poetry Journal. www.emilywolahan.com

Simon Wolf has his MFA in Creative Writing and Poetics from the University of Washington Bothell. His work has been published with Leveler Poetry, featured in 'Coastal Poets – A Reading and Film Festival,' Clamor Journal, and is forthcoming in Inkwell. Check out more of Simon on Instagram @simon_sayspoems.

Shawn Wong is the author of the novels Homebase and American Knees and an editor of several anthologies of Asian American literature, including Aiiieeeee! (all available from the University of Washington Press). He is a professor of English at the University of Washington, Seattle. Peter Bacho's memoir is the third book in the Shawn Wong Books/University of Washington Press series that includes Eat a Bowl of Tea by Louis Chu and Awake in the River and Shedding Silence by Janice Mirikitani.

Jane Wong is the author of the poetry collections How to Not Be Afraid of Everything and Overpour and the memoir Meet Me Tonight in Atlantic City. An associate professor of creative writing at Western Washington University, she grew up in New Jersey and currently lives in Seattle, Washington.

Deborah Woodard holds an MFA from the University of California, Irvine, and a PhD from the University of Washington. She is the author of Plato’s Bad Horse (Bear Star Press, 2006), Borrowed Tales (Stockport Flats, 2012), and No Finis: Triangle Testimonies, 1911 (Ravenna Press, 2018). Her chapbook Hunter Mnemonics (hemel press, 2008) was illustrated by artist Heide Hinrichs. She has translated Amelia Rosselli with Giuseppe Leporace in The Dragonfly: A Selection of Poems: 1953 – 1981 (Chelsea Editions, 2009) and with Roberta Antognini in Hospital Series (New Directions, 2015) and Obtuse Diary (Entre Ríos Books, 2018). Woodard teaches at Hugo House in Seattle and co-curates the reading series Margin Shift.

I’m the author of a stack of grammar books (English Grammar For Dummies, Webster’s New World Punctuation: Simplified and Applied, and more) and an educator with four decades of experience teaching every level of English from 5th grade through AP. My most recent books, 25 Great Sentences and How They Got That Way (Norton, 2020) and Sentence. A Period-to-Period Guide to Building Better Readers and Writers (Norton, 2021), explore the techniques authors use to make their writing more effective. My only remotely cool moment came when I was interviewed by a reporter from MTV about the decision by “Panic! At the Disco” to drop their exclamation point.

Carolyne Wright’s new book is Masquerade, a memoir in poetry (Lost Horse Press, 2021). Previous books include This Dream the World: New & Selected Poems (Lost Horse, 2017), whose title poem won a Pushcart Prize and also appeared in The Best American Poetry 2009; and the anthology, Raising Lilly Ledbetter: Women Poets Occupy the Workspace (Lost Horse, 2015), which received ten Pushcart Prize nominations. Carolyne has also received NEA and 4Culture grants, and a Fulbright U.S. Scholar Award. Visit https://carolynewright.wordpress.com for more information.

Valentine Wulf is a seventeen-year-old artist, writer, and puppeteer whose work combines the pastel kitsch of Americana with the comically macabre.