Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
MAHOGANY L. BROWNE, selected as Kennedy Center's Next 50 and Wesleyan's 2022-23 Distinguished Writer-in-Residence, the Executive Director of JustMedia, Artistic Director of Urban Word, is a writer, playwright, organizer, & educator. Browne has received fellowships from Arts for Justice, Air Serenbe, Cave Canem, Poets House, Mellon Research & Rauschenberg. She is the author of recent works: Vinyl Moon, Chlorine Sky, Woke: A Young Poets Call to Justice, Woke Baby, & Black Girl Magic. Founder of the diverse lit initiative Woke Baby Book Fair, Browne's latest poetry collection Chrome Valley is a promissory note to survival and available from Norton in Spring 2023. And she readies for her stage debut of Chlorine Sky at Steppenwolf Theater in Chicago, Illinois. She is the first-ever poet-in-residence at the Lincoln Center and lives in Brooklyn, NY.Â
S.K. Brownell is writer, artist, and educator from the American Midwest. Their work has been shortlisted for the inaugural Samuel R Delany Fellowship in Speculative Fiction and has received the National Partners of the American Theatre Playwriting Excellence Award, Solstice Literary Prize in Fiction Editor's Choice, and other honors. They are a Tin House Workshop alumn and a Sewanee Conference Tennessee Williams Scholar. Their fiction, poetry, and drama has appeared in Speculative North, Decoded, Great Lakes Review, Newfound, and elsewhere. Stephanie holds an MFA from Boston University and teaches at Carroll University, GrubStreet, and Pioneer Valley Writers Workshop. They currently live in Boston with a cat called Wander. Find them online at skbrownell.com or @skbrownell.
Twitter: www.twitter.com/skbrownell
Brenna Bruce captures a folk sound that makes you nostalgic for voices from the past. Moved by the honest writing and soothing melodies of Americana, she is inspired by the universality of telling stories through song and sound. She has one of those voices that captures all of the air in the room, leaving the listeners stunned, curious, and viscerally connected to the present moment.
Ana Maria Caballero is a first-generation Colombian-American poet and writer. Her work has won multiple awards, including the Beverly International Prize for Literature and Colombiaâs 2014 JosĂ© Manuel Arango National Poetry Prize. Sheâs been a finalist for the Academy of American Poets Prize, Ploughsharesâ Emerging Writerâs Contest, the Essay Press Book Prize and the Tarpaulin Sky Book Award, among others. Her writing has appeared in numerous outlets, including L.A. Review of Books, Tupelo Quarterly, Sundog Lit, The Southeast Review, SWWIM and Jai-Alai Magazine. She believes poems should be valued as works of art and is excited about making this value manifest via blockchain technology.
Marci Calabretta Cancio-Bello is the author of Hour of the Ox (University of Pittsburgh, 2016), winner of the Donald Hall Prize for Poetry. She and E.J. Koh co-translated Yi Wonâs The Worldâs Lightest Motorcycle (Zephyr Press, 2021). Cancio-Bello has received fellowships from the National Endowment for the Arts, Kundiman, the Knight Foundation, and the American Literary Translators Association, and her work has appeared in Best Small Fictions, Kenyon Review Online, The New York Times, and more. She is co-director for the Adoptee Literary Festival and PEN America Miami/South Florida Chapter, and a program coordinator for Miami Book Fair. www.marcicalabretta.com
Gabrielle Calvocoressi is the author of The Last Time I Saw Amelia Earhart, Apocalyptic Swing (a finalist for the LA Times Book Prize), and Rocket Fantastic, winner of the Audre Lorde Award for Lesbian Poetry. Calvocoressi is the recipient of numerous awards and fellowships including a Stegner Fellowship and Jones Lectureship from Stanford University; a Rona Jaffe Woman Writer's Award; a Lannan Foundation residency in Marfa, TX; the Bernard F. Conners Prize from The Paris Review; and a residency from the Civitella di Ranieri Foundation, among others. Calvocoressi's poems have been published or are forthcoming in numerous magazines and journals including The Baffler, The New York Times, POETRY, Boston Review, Kenyon Review, Tin House, and The New Yorker. Calvocoressi is an Editor at Large at Los Angeles Review of Books, and Poetry Editor at Southern Cultures. Works in progress include a non-fiction book entitled, The Year I Didn't Kill Myself and a novel, The Alderman of the Graveyard. Calvocoressi teaches at UNC Chapel Hill and lives in Old East Durham, NC, where joy, compassion, and social justice are at the center of their personal and poetic practice.
Lauren Camp is the author of five books, recently Took House (Tupelo Press). Honors include the Dorset Prize and finalist for the Arab American Book Award. Her poems appear in Poem-a-Day, Witness, Blackbird, Prairie Schooner, and Kenyon Review.
With a BA in English, an MA in German, and an MFA in Creative Writing, Tara Campbell has a demonstrated aversion to money and power. Originally from Anchorage, Alaska, she has also lived in Washington DC, Oregon, Ohio, New York, Germany and Austria. She currently lives in Seattle, WA.
She's proud to be on the current roster for the Humanities Washington Speakers Bureau, and is a mentor the the 19th season of AWP's Writer to Writer Mentorship Program. She's the recipient of the following awards from the DC Commission on the Arts and Humanities: the 2016 Larry Neal Writers' Award in Adult Fiction, the 2016 Mayor's Arts Award for Outstanding New Artist, and Arts and Humanities Fellowships for 2018 – 2022. She is also a 2017 Kimbilio Fellow and winner of the 2018 Robert Gover Story Prize.
Tara earned her MFA from American University in 2019, and is a fiction editor at Barrelhouse. She teaches creative writing with venues such as American University, Johns Hopkins University, Hugo House, Clarion West, the Writer's Center, Politics and Prose, Catapult, and the National Gallery of Art's Virtual Studio.
Follow her on: Twitter: @TaraCampbellCom or Instagram: @thetreevolution or Bluesky: @taracampbell.bsky.social or Mastodon: @TaraCampbell@writing.exchange or Facebook: CampbellTaraP
Sarah Campbell is a content curator who leads exploratory workshops anchored in humanities artifacts. She has worked for PwC, Microsoft, McKinsey, and ?What If!, and taught at the University of Luxembourg and SUNY Buffalo, where she earned her English Ph.D.
Katerina Canyon is a 2020 and 2019 Pushcart Prize Nominee. Her stories have been published in New York Times and Huffington Post. From 2000 to 2003, she served as the Poet Laureate of Sunland-Tujunga. During that time, she started a poetry festival and ran several poetry readings. She was featured in the Los Angeles Times and was awarded the Montesi Award from Saint Louis University in 2011, 2012, and 2013. She has published multiple chapbooks and an album.Â