Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Teachers

Hugo House teachers are at the core of our goal to help writers become better writers. Our teachers are writers; they are selected on the basis of their active engagement in the literary world as well as their love of teaching.
Website: piperlane.org
Twitter: thealaskanwitch
Instagram: piper__l
Erin Langner is an essayist whose work focuses on art, architecture and identity. She is a regular contributor to Hyperallergic and METROPOLIS magazines. Her writing has also appeared or is forthcoming in december, The Offing, The Normal School, Hobart, The Stranger, and ARCADE. She lives in Seattle and works on exhibitions and publications at the Frye Art Museum. Her debut collection, Souvenirs from Paradise, will be published by Zone 3 Press in 2022.
Sasha taqwšəblu LaPointe is from the Upper Skagit and Nooksack Indian Tribes. Native to the Pacific Northwest, she draws inspiration from her coastal heritage as well as her life in the city. She writes with a focus on trauma and resilience, ranging topics from PTSD, sexual violence, the work her great grandmother did for the Lushootseed language revitalization, to loud basement punk shows and what it means to grow up mixed heritage. With strange obsessions revolving around Twin Peaks, the Seattle music scene, and Coast Salish Salmon Ceremonies, Sasha explores her own truth of indigenous identity in the Coast Salish territory. Sasha holds a double MFA from the Institute of American Indian Arts in creative nonfiction and poetry.
Her memoir Red Paint is forthcoming from Counterpoint Press.
Her collection of poetry Rose Quartz will be published by Milkweed.
Ana-Maurine Lara (PhD) is a scholar and a national award-winning novelist and poet. She is the author of: Erzulie’s Skirt (RedBone Press, 2006), When the Sun Once Again Sang to the People (KRK Ediciones, 2011), Watermarks and Tree Rings (Tanama Press, 2011), Kohnjehr Woman (RedBone Press, 2017), Cantos (letterpress, limited edition 2015), and Sum of Parts (Tanama Press, 2019). Her academic books include: Queer Freedom: Black Sovereignty (SUNY Press, 2020) and Streetwalking: LGBTQ Lives and Protest in the Dominican Republic (Rutgers University Press, 2020). Lara’s work focuses on questions of Black and Indigenous people and freedom. She has been published in literary journals (Sable LitMag, Transitions Literary Journal), scholarly journals (Small Axe, Bilingual Revue, Sargasso, Feminist Review) and numerous anthologies, as a scholar and as a creative writer. She is currently an Associate Professor at the University of Oregon, in the Department of Women, Gender and Sexuality Studies.
Ari Laurel is a fiction writer in Seattle who writes about radicalism, orientalism, climate, and the Pacific Northwest. Her work has appeared in Ninth Letter, Passages North, Blue Mesa Review, The Conium Review, The Toast, Duende, and more. Her short story “Farewell Address to the Last Mango in the Pacific Northwest” won first place in Blue Mesa Review’s 2021 Summer Fiction contest. This story is currently part of a larger project. You can get in touch with her or read more of her work at arilaurel.com
Pulitzer Prize finalist Dorianne Laux’s most recent collection is Only As The Day Is Long: New and Selected, W.W. Norton. She is also author of The Book of Men, winner of the Paterson Poetry Prize and Facts about the Moon, winner of the Oregon Book Award. She recently published a limited edition chapbook, SALT, from The Field Office Press. Laux teaches poetry at North Carolina State and Pacific University. In 2020, she was elected a Chancellor of the Academy of American Poets.
Kate Lebo’s writing is anthologized in Best American Essays 2015 and her first collection of nonfiction, The Book of Difficult Fruit, was published by FSG in Spring 2021. She’s the author of Pie School and co-editor (with Samuel Ligon) of Pie & Whiskey.
Kimberly Lee left the practice of law some years ago to focus on motherhood, community work, and creative pursuits. A graduate of Stanford University and UC Davis School of Law, she is certified as a workshop facilitator by Amherst Writers & Artists, the Center for Journal Therapy, and SoulCollage®. Kimberly serves on the board of the Transformative Language Arts Network and is actively involved with The Center for Intentional Creativity. A former editor and regular contributor at Literary Mama, she has also served on the staffs of Carve and F(r)iction magazines. Kimberly’s stories and essays have appeared in publications and anthologies including Minerva Rising, LA Parent, Fresh Ink, Words and Whispers, Toyon, The Ekphrastic Review, Wow! Women on Writing, Read650, Mom Egg Review, and elsewhere. She trusts in the magic and mystery of miracles and synchronicity, and believes that everyone is creative and has unique gifts to share. She lives in Southern California with her husband and three children.